The Development of the Feeling for Nature in the Middle Ages and Modern TimesBiese, Alfred
History
The Development of the Feeling for Nature in the Middle Ages and Modern Times
Biese, Alfred
Nature; Nature in literature
But the full development of Christianity was only reached when it
blended with the Germanic spirit, with the German Gemüth (for which
no other language has a word), and intensified, by so doing, the
innately subjective temperament of the race.
The northern climate gives pause for the development of the inner
life; its long bleak winter, with the heavy atmosphere and slow
coming of spring, wake a craving for light and warmth, and throw man
back on himself. This inward inclination, which made itself felt very
early in the German race, by bringing out the contemplative and
independent sides of his character, and so disinclining him for
combined action with his fellows, forwarded the growth of the
over-ripe seeds of classic culture and vital Christianity.
The Romanic nations, with their brilliant, sharply-defined landscape
and serene skies, always retained something of the objective delight
in life which belonged to antiquity; they never felt that mysterious
impulse towards dreams and enthusiastic longing which the Northerner
draws from his lowering skies and dark woods, his mists on level and
height, the grey in grey of his atmosphere, and his ever varying
landscape. A raw climate drives man indoors in mind as well as body,
and prompts that craving for spring and delight in its coming which
have been the chief notes in northern feeling for Nature from
earliest times.
Vischer has shewn in his _Aesthetik_, that German feeling was early
influenced by the different forms of plant life around it. Rigid
pine, delicate birch, stalwart oak, each had its effect; and the
wildness and roughness of land, sea, and animal life in the North
combined with the cold of the climate to create the taste for
domestic comfort, for fireside dreams, and thought-weaving by the
hearth.
Nature schooled the race to hard work and scanty pleasure, and yet
its relationship to her was deep and heartfelt from the first.
Devoutly religious, it gazed at her with mingled love and fear; and
the deposit of its ideas about her was its mythology.
Its gods dwelt in mountain tops, holes in the rocks, and rivers, and
especially in dark forests and in the leafy boughs of sacred trees;
and the howling of wind, the rustle of leaves, the soughing in the
tree tops, were sounds of their presence. The worship of woods lasted
far into Christian times, especially among the Saxons and
Frisians.[1]
Public-domain text, read in full here on John Shaqi.
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