The Development of the Feeling for Nature in the Middle Ages and Modern TimesBiese, Alfred
History
The Development of the Feeling for Nature in the Middle Ages and Modern Times
Biese, Alfred
Nature; Nature in literature
Wodan was the all-powerful father of gods and men--the highest god,
who, as among all the Aryan nations, represented Heaven. Light was
his shining helmet, clouds were the dark cap he put on when he spread
rain over the earth, or crashed through the air as a wild hunter with
his raging pack. His son Donar shewed himself in thunder and
lightning, as he rode with swinging axe on his goat-spanned car.
Mountains were sacred to both, as plants to Ziu. Freyr and Freya were
goddesses of fertility, love, and spring; a ram was sacred to them,
whose golden fleece illuminated night as well as day, and who drew
their car with a horse's speed.[2] As with Freya, an image of the
goddess Nerthus was drawn through the land in spring, to announce
peace and fertility to mortals.
The suggestive myth of Baldur, god of light and spring, killed by
blind Hödur, was the expression of general grief at the passing of
beauty.
The _Edda_ has a touching picture of the sorrow of Nature, of her
trees and plants, when the one beloved of all living things fell,
pierced by an arrow. Holda was first the mild and gracious goddess,
then a divine being, encompassing the earth. She might be seen in
morning hours by her favourite haunts of lake and spring, a beautiful
white woman, who bathed and vanished. When snow fell, she was making
her bed, and the feathers flew. Agriculture and domestic order were
under her care.
Ostara was goddess of bright dawn, of rising light, and awakening
spring, as Hel of subterranean night, the darkness of the underworld.
Frigg, wife of the highest god, knew the story of existence, and
protected marriage. She was the Northern Juno or Hera.
Ravines and hollows in the mountains were the dwelling-places of the
dwarfs (Erdmännlein), sometimes friendly, sometimes unfriendly to
man; now peaceful and helpful, now impish spirits of mischief in
cloud caps and grey coats, thievish and jolly.
They were visible by moonlight, dancing in the fields; and when their
track was found in the dew,[3] a good harvest was expected. Popular
belief took the floating autumn cobwebs for the work of elves and
fairies. The spirits of mountain and wood were related to the
water-spirits, nixies who sat combing their long hair in the sun, or
stretched up lovely arms out of the water. The elves belonged to the
more spiritual side of Nature, the giants to the grosser. Rocks and
stones were the weapons of the giants; they removed mountains and
hills, and boulders were pebbles shaken out of their shoes.
Among animals the horse was sacred to many deities, and gods and
goddesses readily transformed themselves into birds. Two ravens,
Hugin and Munin, whose names signify thought and memory, were Odin's
constant companions. The gift of prophecy was ascribed to the cuckoo,
as its monotonous voice heralded the spring:
Kukuk vam haven, wo lange sail ik leven?
There were many legends of men and snakes who exchanged shapes, and
whom it was unlucky to kill.[4]
Public-domain text, read in full here on John Shaqi.
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