The Development of the Feeling for Nature in the Middle Ages and Modern TimesBiese, Alfred
History
The Development of the Feeling for Nature in the Middle Ages and Modern Times
Biese, Alfred
Nature; Nature in literature
We see then that the inborn German feeling for Nature, conditioned by
climate and landscape, and pronounced in his mythology, found both an
obstacle and a support in Christianity--an obstacle in its
transcendentalism, and a support in its inwardness.
CHAPTER II
THE THEOLOGICAL CHRISTIAN AND THE SYMPATHETIC
HEATHEN FEELING OF THE FIRST TEN CENTURIES A.D.
The Middle Ages employed its best intellectual power in solving the
problems of man's relation to God and the Redeemer, his moral
vocation, and his claim to the Kingdom of the blessed. Mind and heart
were almost entirely engrossed by the dogmas of the new faith, such
as the incarnation, original sin, and free-will, and by doubts which
the Old Testament had raised and not solved. Life was looked upon as
a test-place, a thoroughfare to the heavenly Kingdom; earth, with its
beauty and its appeal to the senses, as a temptress.
To flee the world and to lack artistic feeling were therefore marks
of the period. We have no trace of scientific knowledge applied to
Nature, and she was treated with increasing contempt, as the
influence of antiquity died out. In spite of this, the attitude of
the Apostolic Fathers was very far from hostile. Their fundamental
idea was the Psalmist's 'Lord, how great are Thy works; in wisdom
hast Thou made them all!' and yet they turned to Nature--at any rate,
the noblest Grecians among them--not only for proof of divine wisdom
and goodness, but with a degree of personal inclination, an
enthusiasm, to which antiquity was a stranger.
Clement of Rome wrote to the Corinthians:
Public-domain text, read in full here on John Shaqi.
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