The Devil's picture-booksVan Rensselaer, John King, Mrs.
History
The Devil's picture-books
Van Rensselaer, John King, Mrs.
Playing cards -- History
The workman followed this advice, and became wealthy by reproducing it.
This tale shows how well established the use of cards was in the
fifteenth century; and specimens of the cards of that period are still
in existence, and at once strike the observing student with the fact
that the four great divisions or suits exist (although with different
symbols) in almost all the known packs.
It is probable that in France the Tarots were used for many years
exactly as they were when first introduced into that country, until the
rearrangement of the pack by the French courtiers for the convenience
of their demented sovereign. When this ingenious condensation of the
original pack took place, the symbols of the Orient were discarded, and
the adapter chose two colours to represent the different suits, and
placed _les Cœurs_ (Hearts), _les Carreaux_ (Diamonds), _les Piques_
(Spades), _les Trifles_ (Clubs), as the symbols that marked them
instead of those on the Tarots, which were _Denari_ (Money), _Spade_
(Swords), _Coppe_ (Cups), and _Bastoni_ (Maces). These devices were not
distinguished by particular colours; and it is only when the French
cards have been copied and adapted that we find the distinctive colours
_red_ and _black_ marking the divisions of the suits.
Playing-cards without doubt reached Germany through Italy, but during
their journey toward the north they lost their Eastern character and
their Saracenic name almost at once. They never seem to have been
called _Naïb_, or by any name resembling that word. The first mention
of cards in Germany calls them _Briefe_; that is to say, _letters_. The
first card-makers were named _Brief-maler_.
The Germans composed symbols to mark the suits for themselves,
and rejected the Eastern ones, and were probably unconscious that
such devices as Hearts, Diamonds, etc., existed on the cards of the
neighbouring country; for intercourse in those days was not rapid, and
each kingdom was as independent of its fellow as if oceans divided
them. M. la Croix says that the Germans “with their love of symbolism
discovered a vegetable as well as a military signification in the
original game of cards.” While making important changes, they retained
a little of their warlike character in their symbols and figures, and
placed among them some designs inspired by the vegetable world. The
devices with them signified the triumphs and the honours of war, and
they discarded the weapons of the East, the Swords and the Staves, and
disdained the sordid money and the priestly chalice, and adopted sprays
of oak and of ivy as if intended for victors’ wreaths, and chose tiny
bells, or _grelots_, as distinctive marks, as these were among the most
important signs of German nobility, and borne by them among the other
heraldic marks, and considered most honourable emblems. These symbols
gave a more peaceful aspect to the ancient warlike game.
Public-domain text, read in full here on John Shaqi.
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