’Twas odd how we fell to discussing this same Dr. Ean Fabos upon every
occasion that came to us. Was it because of his money—riches beyond
dreams to poor devils who must please the public or die dishonoured in
the market-place? I venture, no. We of the Goldsmith Club care for no
man’s money. Bid the Vanderbilts come among us, and we lift no hats.
’Tis true that in so far as they assist the mighty sons of Homer and
Praxiteles to meet their just obligations upon quarter day, they have
some use in the world. I have known circumstances when they have kept
precious lives from the Underground Railway or the Round Pond in
Kensington Gardens. But this is to betray the secrets of my club and of
my poor friends Killock and Barry Henshaw and the rest.
What I was saying was that Ean Fabos’s riches made no more mark upon us
than a lady’s parasol upon the back of a mule. They said he was a doctor
of Cambridge, whose father had made a fortune out of Welsh coal and then
joined his ancestors. My homage to his consideration, says I. May the
warmth of his discovery glow in many hearts and long blaze in beneficent
profusion up the chimneys of the Goldsmith Club! He has bequeathed us a
noble son, whose dinners are second to none in the empire. Again I say,
hats off. ’Twas a gentleman entirely.
But I speak of his son dancing with the little girl in red at the Fancy
Fair at Kensington. Be sure that his six feet one would go bending to
sixty-eight inches and whispering soft things in her ear at five
shillings the waltz, as the programme told ye. And he such a silent man
ordinarily—not to be moved from that rogue of a taciturn smile we see
so often upon his face even when the wit of the club is worthy of the
name we bear. They call Ean Fabos many names. Some say misogynist;
others cynic; a few speak of his lacking heart; there are those who call
him selfish. What’s he to do with all his money? Do his friends share
it? The sacred shrines of Bacchus know better. He buys diamonds, they
say. Just that, great diamonds and rubies and sapphires, not for a
woman’s pretty arms or her white shoulders, you must know; but to lock
up in his safe at his great house down Newmarket way; to lock up and
hide from men and gloat upon in the silence of the night. That’s what
the world says. I’d add to it that there’s no true charity in all London
which has not benefited secretly by his generous alms. But that is known
to few, and was never known to me until I met the daughter of my friend
Oscroft, the painter; left an orphan as she was in the same unkind city.
Public-domain text, read in full here on John Shaqi.
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