The diary of a superfluous man, and other storiesTurgenev, Ivan Sergeevich
General
The diary of a superfluous man, and other stories
Turgenev, Ivan Sergeevich
Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
I will not describe the ball. Everything about it was as usual:
musicians with remarkably false horns in the gallery; flustered landed
proprietors with antiquated families; lilac ice-cream, slimy orgeat; men
in patched boots and knitted cotton gloves; provincial lions with
convulsively-distorted faces; and so forth, and so forth. And all this
little world circled round its sun--round the Prince. Lost in the
throng, unnoticed even by the maidens of eight-and-forty with pimples on
their brows and blue flowers on their temples, I kept incessantly gazing
now at the Prince, now at Liza. She was very charmingly dressed and very
pretty that evening. They only danced together twice (he danced the
mazurka[12] with her, 't is true!), but, at all events, so it seemed to
_me_, there existed between them a certain mysterious, unbroken
communication. Even when he was not looking at her, was not talking to
her, he seemed constantly to be addressing her, and her alone; he was
handsome and brilliant, and charming with others--for her alone. She was
evidently conscious that she was the queen of the ball--and beloved; her
face simultaneously beamed with childish joy and innocent pride, and
then suddenly was lighted up with a different, a more profound feeling.
She exhaled an atmosphere of happiness. I observed all this.... It was
not the first time I had had occasion to watch them.... At first this
greatly pained me, then it seemed to touch me, and at last it enraged
me. I suddenly felt myself remarkably malicious and, I remember, I
rejoiced wonderfully over this new sensation, and even conceived a
certain respect for myself. "Let 's show them that we have n't perished
yet!" I said to myself. When the first sounds summoning to the mazurka
thundered out, I calmly glanced around, coldly, and with much ease of
manner, approached a long-faced young lady with a red and shining nose,
an awkwardly gaping mouth, which looked as though it had been
unhooked, and a sinewy neck, which reminded one of the handle of a
bass-viol,--approached her, and curtly clicking my heels together,
invited her for the dance. She wore a pink gown, which seemed to have
faded recently and not quite completely; above her head quivered some
sort of a faded melancholy fly on a very thick brass spring; and,
altogether, the young woman was impregnated through and through, if one
may so express one's self, with a sort of sour boredom and antiquated
ill-success. From the very beginning of the evening, she had not stirred
from her seat; no one had thought of asking her to dance. One
sixteen-year-old youth, in default of any other partner, had been on
the point of appealing to this young woman, and had already taken one
step in her direction, but had bethought himself, taken one look, and
briskly concealed himself in the crowd. You can imagine with what joyful
surprise she accepted my proposal!
Public-domain text, read in full here on John Shaqi.
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