The diary of a superfluous man, and other storiesTurgenev, Ivan Sergeevich
General
The diary of a superfluous man, and other stories
Turgenev, Ivan Sergeevich
Diary fiction; Russia -- Social life and customs -- Fiction; Turgenev, Ivan Sergeevich, 1818-1883 -- Translations into English
What follows from that? Nothing. He is well and has a right to chirrup
and ruffle his wings; but I am ill and must die--that's all. It's not
worth while to say more about it. And tearful invocations to nature are
mortally absurd. Let us get back to my story.
I was brought up, as I have said, very badly and not happily. I had no
brothers or sisters. I was educated at home. And, indeed, what would my
mother have had to occupy her, if I had been sent to a boarding-school
or a government college? That's what children are for--that their
parents may not be bored. We lived for the most part in the country,
and sometimes went to Moscow. I had tutors and teachers, as a matter of
course; one, in particular, has remained in my memory, a dried-up,
tearful German, Rickmann, an exceptionally mournful creature, cruelly
maltreated by destiny, and fruitlessly consumed by an intense pining
for his far-off fatherland. Sometimes, near the stove, in the fearful
stuffiness of the close ante-room, full of the sour smell of stale
kvas, my unshaved man-nurse, Vassily, nicknamed Goose, would sit,
playing cards with the coachman, Potap, in a new sheepskin, white as
foam, and superb tarred boots, while in the next room Rickmann would
sing, behind the partition--
Herz, mein Herz, warum so traurig?
Was bekuemmert dich so sehr?
'Sist ja schoen im fremden Lande--
Herz, mein Herz--was willst du mehr?'
After my father's death we moved to Moscow for good. I was twelve years
old. My father died in the night from a stroke. I shall never forget
that night. I was sleeping soundly, as children generally do; but I
remember, even in my sleep, I was aware of a heavy gasping noise at
regular intervals. Suddenly I felt some one taking hold of my shoulder
and poking me. I opened my eyes and saw my nurse. 'What is it?' 'Come
along, come along, Alexey Mihalitch is dying.' ... I was out of bed and
away like a mad thing into his bedroom. I looked: my father was lying
with his head thrown back, all red, and gasping fearfully. The servants
were crowding round the door with terrified faces; in the hall some one
was asking in a thick voice: 'Have they sent for the doctor?' In the
yard outside, a horse was being led from the stable, the gates were
creaking, a tallow candle was burning in the room on the floor, my
mother was there, terribly upset, but not oblivious of the proprieties,
nor of her own dignity. I flung myself on my father's bosom, and hugged
him, faltering: 'Papa, papa...' He lay motionless, screwing up his eyes
in a strange way. I looked into his face--an unendurable horror caught
my breath; I shrieked with terror, like a roughly captured bird--they
picked me up and carried me away. Only the day before, as though aware
his death was at hand, he had caressed me so passionately and
despondently.
Public-domain text, read in full here on John Shaqi.
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