Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
“‘Mr. Trayne, I know you thought me very peculiar at the theatre. But I
was afraid that if I told you what I really wanted you’d have refused to
come. You get hundreds and hundreds of people coming to see you who
think they can act. Asking you to help them get a job and that sort of
thing. Well, I was afraid that if I told you that that was what I
wanted, you’d have told me to go away. Perhaps you’d have given me a
straw of comfort—taken my address—said you’d let me know if anything
turned up. But nothing would have turned up. . . . And, you see, I was
rather desperate.’
“The big brown eyes were fixed on me pleadingly, and somehow I didn’t
feel quite as annoyed as I should have done at what was nothing more nor
less than a blatant trick to appeal to my sympathy.
“‘Perhaps nothing would have turned up,’ I said gently, ‘but you must
remember that to-day the stage is a hopelessly overstocked profession.
There are hundreds of trained actors and actresses unable to obtain a
job.’
“‘I know that,’ she cried eagerly, ‘and that’s why I—why I thought out
this plan. I thought that if I could _really_ convince you that I could
act above the average . . .’
“‘And she can, Mr. Trayne,’ broke in her husband. ‘She’s good, I know
it.’
“‘We must leave Mr. Trayne to be the judge of that, Harry,’ she smiled.
‘You see,’ she went on to me, ‘what I felt was that there is an opening
for real talent. There is, isn’t there?’
“‘Yes,’ I agreed slowly. ‘There is an opening for _real_ talent. But
even that is a small one. . . . Have you ever acted before?’
“‘A little. In amateur theatricals!’
“I turned away. Amateur theatricals! More heart-burning and
disappointment has been caused by those abominable entertainments than
their misguided originators will ever realise.
“‘But don’t think I’m relying on that.’ The girl was speaking again, and
I almost laughed. ‘I want you to judge me to-night.’
“I swung round and looked at her. So this was the mysterious plan: I was
to witness an impromptu performance, which was to convince me that the
second Sarah Bernhardt had been discovered.
“‘I couldn’t have shown you, you see, in your dressing-room. I shouldn’t
have had time. That’s why I asked you to come here.’
“‘You have the courage of your convictions anyway,’ I said quietly. ‘I
am perfectly ready to be convinced.’
“‘Then will you sit there.’ She took off her hat and coat as I sat down
on the only available chair, and from underneath his pillow the man
produced a paper-covered book.
“‘You’ll forgive me if I read my lines, Mr. Trayne,’ he said. ‘I find I
can’t learn them—I can’t concentrate.’ He passed a thin, emaciated hand
over his forehead. ‘And it’s her you want to see.’
Public-domain text, read in full here on John Shaqi.
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