The discovery and decipherment of the trilingual cuneiform inscriptionsBooth, Arthur John
History
The discovery and decipherment of the trilingual cuneiform inscriptions
Booth, Arthur John
Achaemenian inscriptions; Cuneiform inscriptions
The cylinders found
by Mr. Rich varied from 1 to 3 in. in length and were of different
materials—some of stone, others of paste or composition.[358] They are
perforated to admit of the passage of a cord, and were carried about to
be used for seals. Rich was among the earliest to recognise that this was
their purpose; and he thus accounted for the writing being from right
to left, contrary to the invariable custom. He also made the useful
suggestion that, as the language of the first Persepolitan was no doubt
that of the court of Darius, the languages of the other two columns
were in all probability those of Susa and Babylon.[359] Rich exercised
considerable influence in Germany by his contributions to periodical
literature, and his cordial assent to the opinions of Grotefend was of
importance at that time. We have seen that his first Memoir was published
in Vienna before it appeared in London; and he continued to write to the
‘Fundgruben des Orients’ to describe the inscriptions he had procured
from Babylon and Nineveh. The cylinder from Nineveh is said to have been
the earliest specimen brought to light, and it was the first to attract
the attention of Grotefend to the Babylonian system of writing.[360]
It was published by Dorow in 1820, when inscriptions of that kind
were almost unknown. Rich’s secretary, Bellino, was also in constant
correspondence with Grotefend down to the period of his early death.[361]
He sent him a copy of the first column of one of the inscriptions at
Hamadan, which Grotefend presented to the University Library of Tübingen,
where Bellino had been educated.[362] He also sent him copies of
inscriptions on forty bricks in Mr. Rich’s collection, many of them of
service by illustrating slight differences in the writing of words and
characters.[363]
Public-domain text, read in full here on John Shaqi.
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