The Disowned — Volume 03Lytton, Edward Bulwer Lytton, Baron
General
The Disowned — Volume 03
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Accordingly, as Clarence was musing over his approaching departure,
which was now very shortly to take place, he was somewhat startled by
the apparition of Mr. Brown--"Charming day, sir,--charming day," said
the friend of Mrs. Minden,--"just called in to congratulate you. I
have a few articles, sir, to present you with,--quite rarities, I
assure you,--quite presents, I may say. I picked them up at a sale of
the late Lady Waddilove's most valuable effects. They are just the
things, sir, for a gentleman going on a foreign mission. A most
curious ivory chest, with an Indian padlock, to hold confidential
letters,--belonged formerly, sir, to the Great Mogul; and a beautiful
diamond snuff-box, sir, with a picture of Louis XIV. on it,
prodigiously fine, and will look so loyal too: and, sir, if you have
any old aunts in the country, to send a farewell present to, I have
some charming fine cambric, a superb Dresden tea set, and a lovely
little 'ape,' stuffed by the late Lady W. herself."
"My good sir," began Clarence.
"Oh, no thanks, sir,--none at all,--too happy to serve a relation of
Mrs. Minden,--always proud to keep up family connections. You will be
at home to-morrow, sir, at eleven; I will look in; your most humble
servant, Mr. Linden." And almost upsetting Talbot, who had just
entered, Mr. Brown bowed himself out.
CHAPTER XXII.
He talked with open heart and tongue,
Affectionate and true;
A pair of friends, though I was young
And Matthew seventy-two.--WORDSWORTH.
Meanwhile the young artist proceeded rapidly with his picture.
Devoured by his enthusiasm, and utterly engrossed by the sanguine
anticipation of a fame which appeared to him already won, he allowed
himself no momentary interval of relaxation; his food was eaten by
starts, and without stirring from his easel; his sleep was brief and
broken by feverish dreams; he no longer roved with Clarence, when the
evening threw her shade over his labours; all air and exercise he
utterly relinquished; shut up in his narrow chamber, he passed the
hours in a fervid and passionate self-commune, which, even in suspense
from his work, riveted his thoughts the closer to its object. All
companionship, all intrusion, he bore with irritability and
impatience. Even Clarence found himself excluded from the presence of
his friend; even his nearest relation, who doted on the very ground
which he hallowed with his footstep, was banished from the haunted
sanctuary of the painter; from the most placid of human beings, Warner
seemed to have grown the most morose.
Public-domain text, read in full here on John Shaqi.
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