The Disowned — Volume 03Lytton, Edward Bulwer Lytton, Baron
General
The Disowned — Volume 03
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Want of rest, abstinence from food, the impatience of the strained
spirit and jaded nerves, all contributed to waste the health while
they excited the genius of the artist. A crimson spot, never before
seen there, burned in the centre of his pale cheek; his eye glowed
with a brilliant but unnatural fire; his features grew sharp and
attenuated; his bones worked from his whitening and transparent skin;
and the soul and frame, turned from their proper and kindly union,
seemed contesting, with fierce struggles, which should obtain the
mastery and the triumph.
But neither his new prospects nor the coldness of his friend diverted
the warm heart of Clarence from meditating how he could most
effectually serve the artist before he departed from the country, It
was a peculiar object of desire to Warner that the most celebrated
painter of the day, who was on terms of intimacy with Talbot, and who
with the benevolence of real superiority was known to take a keen
interest in the success of more youthful and inexperienced genius,--it
was a peculiar object of desire to Warner, that Sir Joshua Reynolds
should see his picture before it was completed; and Clarence, aware of
this wish, easily obtained from Talbot a promise that it should be
effected. That was the least service of his zeal touched by the
earnestness of Linden's friendship, anxious to oblige in any way his
preserver, and well pleased himself to be the patron of merit, Talbot
readily engaged to obtain for Warner whatever the attention and favour
of high rank or literary distinction could bestow. "As for his
picture," said Talbot (when, the evening before Clarence's departure,
the latter was renewing the subject), "I shall myself become the
purchaser, and at a price which will enable our friend to afford
leisure and study for the completion of his next attempt; but even at
the risk of offending your friendship, and disappointing your
expectations, I will frankly tell you that I think Warner overrates,
perhaps not his talents, but his powers; not his ability for doing
something great hereafter, but his capacity of doing it at present.
In the pride of his heart, he has shown me many of his designs, and I
am somewhat of a judge: they want experience, cultivation, taste, and,
above all, a deeper study of the Italian masters. They all have the
defects of a feverish colouring, an ambitious desire of effect, a
wavering and imperfect outline, an ostentatious and unnatural strength
of light and shadow; they show, it is true, a genius of no ordinary
stamp, but one ill regulated, inexperienced, and utterly left to its
own suggestions for a model. However, I am glad he wishes for the
opinion of one necessarily the best judge: let him bring the picture
here by Thursday; on that day my friend has promised to visit me; and
now let us talk of you and your departure."
Public-domain text, read in full here on John Shaqi.
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