The Disowned — Volume 04Lytton, Edward Bulwer Lytton, Baron
General
The Disowned — Volume 04
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
The room was, as we before said, very small, and meanly furnished; yet
were there a few articles of costliness and luxury scattered about,
which told that the tastes of its owner had not been quite humbled to
the level of his fortunes. One side of the narrow chamber was covered
with shelves, which supported books in various languages, and though
chiefly on scientific subjects, not utterly confined to them. Among
the doctrines of the philosopher, and the golden rules of the
moralist, were also seen the pleasant dreams of poets, the legends of
Spenser, the refining moralities of Pope, the lofty errors of
Lucretius, and the sublime relics of our "dead kings of melody."
[Shakspeare and Milton] And over the hearth was a picture, taken in
more prosperous days, of one who had been and was yet to the tenant of
that abode, better than fretted roofs and glittering banquets, the
objects of ambition, or even the immortality of fame. It was the face
of one very young and beautiful, and the deep, tender eyes looked
down, as with a watchful fondness, upon the lucubrator and his
labours. While beneath the window, which was left unclosed, for it
was scarcely June, were simple yet not inelegant vases, filled with
flowers,--
"Those lovely leaves, where we
May read how soon things have
Their end, though ne'er so brave." [Herrick]
The writer was alone, and had just paused from his employment; he was
leaning his face upon one hand, in a thoughtful and earnest mood, and
the air which came chill, but gentle, from the window, slightly
stirred the locks from the broad and marked brow, over which they fell
in thin but graceful waves. Partly owing perhaps to the waning light
of the single lamp and the lateness of the hour, his cheek seemed very
pale, and the complete though contemplative rest of the features
partook greatly of the quiet of habitual sadness, and a little of the
languor of shaken health; yet the expression, despite the proud cast
of the brow and profile, was rather benevolent than stern or dark in
its pensiveness, and the lines spoke more of the wear and harrow of
deep thought than the inroads of ill-regulated passion.
There was a slight tap at the door; the latch was raised, and the
original of the picture I have described entered the apartment.
Time had not been idle with her since that portrait had been taken:
the round elastic figure had lost much of its youth and freshness; the
step, though light, was languid, and in the centre of the fair, smooth
cheek, which was a little sunken, burned one deep bright spot,--fatal
sign to those who have watched the progress of the most deadly and
deceitful of our national maladies; yet still the form and countenance
were eminently interesting and lovely; and though the bloom was gone
forever, the beauty, which not even death could wholly have despoiled,
remained to triumph over debility, misfortune, and disease.
She approached the student, and laid her hand upon his shoulder.
Public-domain text, read in full here on John Shaqi.
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