The Divine Comedy of Dante Alighieri: The InfernoDante Alighieri
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The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri
Epic poetry, Italian -- Translations into English; Hell; Italian poetry -- To 1400 -- Translations into English
[654] _His brethren_: The Centaurs who guard the river of blood (_Inf._
xii. 56). In Fucci, as a sinner guilty of blood and violence above most
of the thieves, the Centaur Cacus takes a special malign interest.
[655] _Our tale_: Of Cacus. It is interrupted by the arrival of three
sinners whom Dante does not at first recognise as he gazes down on them,
but only when they begin to speak among themselves. They are three noble
citizens of Florence: Agnello Brunelleschi, Buoso degli Abati, and
Puccio Sciancatto de' Galigai--all said to have pilfered in private
life, or to have abused their tenure of high office by plundering the
Commonwealth. What is certainly known of them is that they were
Florentine thieves of quality.
[656] _Cianfa_: Another Florentine gentleman, one of the Donati. Since
his companions lost sight of him he has been transformed into a
six-footed serpent. Immediately appearing, he darts upon Agnello.
[657] _On chin, etc._: A gesture by which silence is requested. The
mention of Cianfa shows Dante that he is among Florentines.
[658] _Papyrus_: The original is _papiro_, the word used in Dante's time
for a wick made out of a reed like the papyrus; _papér_ being still the
name for a wick in some dialects.--(Scartazzini.) It cannot be shown
that _papiro_ was ever employed for paper in Italian. This, however,
does not prove that Dante may not so use it in this instance, adopting
it from the Latin _papyrus_. Besides, he says that the brown colour
travels up over the _papiro_; while it goes downward on a burning wick.
Nor would the simile, if drawn from a slowly burning lamp-wick, agree
with the speed of the change described in the text.
[659] _A little snake_: As transpires from the last line of the Canto,
this is Francesco, of the Florentine family of the Cavalcanti, to which
Dante's friend Guido belonged. He wounds Buoso in the navel, and then,
instead of growing into one new monster as was the case with Cianfa and
Agnello, they exchange shapes, and when the transformation is complete
Buoso is the serpent and Francesco is the human shade.
[660] _Rooted he stood, etc._: The description agrees with the symptoms
of snake-bite, one of which is extreme drowsiness.
[661] _Sabellus and Nassidius_: Were soldiers of Cato's army whose death
by snake-bite in the Libyan desert is described by Lucan, _Pharsal._ ix.
Sabbellus was burned up by the poison, bones and all; Nassidius swelled
up and burst.
[662] _Cadmus_: _Metam._ iv.
[663] _Arethusa_: _Metam._ v.
Public-domain text, read in full here on John Shaqi.
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