The Divine Comedy, Volume 2, Purgatory — John Shaqi
The Divine Comedy, Volume 2, PurgatoryDante Alighieri
Philosophy
The Divine Comedy, Volume 2, Purgatory
Dante Alighieri
Epic poetry, Italian -- Translations into English; Italian poetry -- To 1400 -- Translations into English
Little way had we gone from that place, when I perceived that the
mountain was hollowed out in like fashion as the valleys hollow them
here on earth. “Yonder,” said that shade, “will we go, where the
hillside makes a lap of itself, and there will we await the new day.”
Between steep and level was a winding path that led us into a side of
the dale, where more than by half the edge dies away. Gold and fine
silver, and scarlet and white, Indian wood lucid and clear,[1] fresh
emerald at the instant it is split, would each be vanquished in color
by the herbage and by the flowers set within that valley, as by its
greater the less is vanquished. Nature had not only painted there, but
with sweetness of a thousand odors she made there one unknown and
blended.
[1] The blue of indigo.
Upon the green and upon the flowers I saw souls who, because of the
valley, were not visible from without, seated here singing “Salve
regina.”[1] “Before the lessening sun sinks to his nest,” began the
Mantuan who had turned us thither, “desire not that among these I guide
you. From this bank ye will better become acquainted with the acts and
countenances of all of them, than received among them on the level
below. He who sits highest and has the semblance of having neglected
what he should have done, and who moves not his mouth to the others’
songs, was Rudolph the Emperor, who might have healed the wounds that
have slain Italy, so that slowly by another she is revived.[2] The
next, who in appearance comforts him, ruled the land where the water
rises that Moldau bears to Elbe, and Elbe to the sea. Ottocar was his
name,[3] and in his swaddling clothes he was better far than bearded
Wenceslaus, his son, whom luxury and idleness feed.[4] And that
small-nosed one, who seems close in counsel with him who has so benign
an aspect, died in flight and disflowering the lily;[5] look there how
he beats his breast. See the next who, sighing, has made a bed for his
cheek with his hand.[6] Father and father-in-law are they of the harm
of France; they know his vicious and foul life, and thence comes the
grief that so pierces them. He who looks so large-limbed,[7] and who
accords in singing with him of the masculine nose,[8] wore girt the
cord of every worth, and if the youth that is sitting behind him had
followed him as king, truly had worth gone from vase to vase, which
cannot be said of the other heirs: James and Frederick hold the realms;
[9] the better heritage no one possesses. Rarely doth human goodness
rise through the branches, and this He wills who gives it, in order
that it may be asked from Him. To the large-nosed one also my words
apply not less than to the other, Peter, who is singing with him;
wherefore Apulia and Provence are grieving now.[10] The plant is as
inferior to its seed, as, more than Beatrice and Margaret, Constance
still boasts of her husband.[11] See the King of the simple life
sitting there alone, Henry of England; he in his branches hath a better
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account