The Divine Comedy, Volume 2, PurgatoryDante Alighieri
Philosophy
The Divine Comedy, Volume 2, Purgatory
Dante Alighieri
Epic poetry, Italian -- Translations into English; Italian poetry -- To 1400 -- Translations into English
that thou wilt he able to gloss it.[10] This deed released him from
those limits.”[11]
[1] This stooping is the symbol of Dante’s consciousness of pride as
his own besetting sin.
[2] Oderisi of Gubbio and Franco of Bologna were both eminent in the
art called miniare in Italian, enluminer in French.
[3] Ages in which no progress is made.
[4] The first Guido is doubtless Guido Guinicelli, whom Dante calls
(see Canto XXVI.) his master; the other probably Dante’s friend, Guido
Cavalcanti.
[5] Dante’s words are pappo and dindi, childish terms for “bread” and
“money.”
[6] The mad Florentine people were utterly cast down in 1260, at the
battle of Montaperti.
[7] The sun.
[8] Provinzano Salvani was one of the chief supporters of the
Ghibelline cause in Tuscany. He was a man of great qualities and
capacity, but proud and presumptuous. Defeated and taken prisoner at
the battle of Colle, in 1269, he was beheaded.
[9] The Campo of Siena is her chief public square and marketplace, set
round with palaces. The friend of Provinzano is said by the old
commentators to have fought for Conradin against Charles of Anjou, and,
being taken captive, to have been condemned to death. His ransom was
fixed at ten thousand florins. Provinzano, not being able to pay this
sum from his own means, took his seat in the Campo and humiliated
himself to beg of the passers-by.
[10] The meaning of the dark words seems to be: Exile and poverty will
compel thee to beg, and begging to tremble in every vein.
[11] This deed of humility and charity released him from the necessity
of tarrying outside the gate of Purgatory.
CANTO XII.
First Ledge: the Proud.—Examples of the punishment of Pride graven on
the pavement.—Meeting with an Angel who removes one of the P’s.—Ascent
to the Second Ledge.
Side by side, like oxen who go yoked, I went on with that burdened
spirit so long as the sweet Pedagogue allowed it; but when he said,
“Leave him, and come on, for here it is well that, both with sail and
oars, each as much as he can should urge his bark,” I straitened up my
body again, as is required for walking, although my thoughts remained
both bowed down and abated.
I was moving on, and following willingly the steps of my Master, and
both now were showing how light we were, when he said to me, “Turn
thine eyes downward; it will be well for thee, in order to solace the
way, to look upon the bed of thy footprints.” As above the buried, so
that there may be memory of them, their tombs in earth bear inscribed
that which they were before,—whence oftentimes is weeping for them
there, through the pricking of remembrance, which only to the pious
gives the spur,—so saw I figured there, but of better semblance in
respect of skill, all that for pathway juts out from the mountain.
I saw him who was created more noble than any other creature,[1] down
from heaven with lightning flash descending, at one side.
[1] Lucifer.
Public-domain text, read in full here on John Shaqi.
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