_De sçavoir les raisons pourquoy son pere luy donna ce nom de
Timoleon, encore que ce ne fut nom Chretien, mais payen, il ne se peut
dire; toutesfois, à l'imitation des Italiens et des Grecs, qui ont
emprunté la plus part des noms payens, et n'en sont corrigez pour
cela, et n'en font aucun scruple,—il avoit cette opinion, que son pere
luy avoit donné ce nom par humeur, et venant à lire la vie de Timoleon
elle luy pleut, et pour ce en imposa le nom à son fils, présageant
qu'un jour il luy seroit semblable. Et certes pour si peu qu'il a
vesçu, il luy a ressemblé quelque peu; mais, s'il eust vesçu il ne
l'eust resemblé quelque peu en sa retraite si longue, et en son
temporisement si tardif qu'il fit, et si longue abstinence de guerre;
ainsi que luy-mesme le disoit souvent, qu'il ne demeureroit pour tous
les biens du monde retiré si longuement que fit ce Timoleon._[1] This
in a parenthesis: I return to our philosopher's discourse.
[Footnote 1: BRANTOME.]
And what lectures, I have heard the Doctor say, does the
looking-glass, at such times, read to those men who look in it at such
times only! The glass is no flatterer, the person in no disposition to
flatter himself, the plight in which he presents himself, assuredly no
flattering one. It would be superfluous to have _γνωθι σεαυτον_
inscribed upon the frame of the mirror; he cannot fail to know
himself, who contemplates his own face there, long and steadily, every
day. Nor can he as he waxes old need a death's head for a memento in
his closet or his chamber; for day by day he traces the defeatures
which the hand of Time is making,—that hand which never suspends its
work.
Thus his good melancholy oft began
On the catastrophe and heel of pastime.[2]
[Footnote 2: SHAKESPEARE.]
“When I was a round-faced, red-faced, smooth-faced boy,” said he to me
one day, following the vein upon which he had thus fallen, “I used to
smile if people said they thought me like my father, or my mother, or
my uncle. I now discern the resemblance to each and all of them
myself, as age brings out the primary and natural character of the
countenance, and wears away all that accidental circumstances had
superinduced upon it. The recognitions,—the glimpses which at such
times I get of the departed, carry my thoughts into the past;—and
bitter,—bitter indeed would those thoughts be, if my
anticipations—(wishes I might almost call them, were it lawful as
wishes to indulge in them)—did not also lead me into the future, when
I shall be gathered to my fathers in spirit, though these mortal
_exuviæ_ should not be laid to moulder with them under the same turf.”
There were very few to whom he talked thus. If he had not entirely
loved me, he would never have spoken to me in this strain.
CHAPTER CLIV.
A POET'S CALCULATION CONCERNING THE TIME EMPLOYED IN SHAVING, AND THE
USE THAT MIGHT BE MADE OF IT. THE LAKE POETS LAKE SHAVERS ALSO. A
PROTEST AGAINST LAKE SHAVING.
Public-domain text, read in full here on John Shaqi.
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