trembling for the fate of Theresa, the Orphan of Geneva, and simple matrons weeping over the peril of the Wandering Boys. But Guilbert de Pixérécourt was never a great man; he was only popular. If a man can't have a niche in the Walhalla, isn't it something to have his name in big letters in the play-bills on the boulevard? and I wonder how long my friend Guilbert would have held the stage, if he had emulated Racine or Corneille. He did what it was in him to do, honestly; and he had his reward. Who would not wish to be great? Do you think I wouldn't rather be the author of the 'Vicar of Wakefield' than of 'Colonel Montefiasco?' I _could_ write the 'Vicar of Wakefield,' too, but--" George stared aghast at his excited friend. "But not Oliver Goldsmith's 'Vicar of Wakefield,'" Sigismund explained. He had thrown down his pen now, and was walking up and down the room with his hands thrust deep down in his pockets, and his face scarlet with fierce excitement. "I should do the Vicar in the detective pre-Raphaelite style. Moses knows a secret of his father's--forged accommodation-bills, or something of that kind; sets out to go to the fair on a drowsy summer morning, not a leaf stirring in the vicarage garden. You hear the humming of the bees as they bounce against the vicarage-windows; you see the faint light trembling about Olivia's head, as she comes to watch her brother riding along the road; you see him ride away, and the girl watching him, and feel the hot sleepy atmosphere, and hear the swoop of the sickle in the corn-fields on the other side of the road; and the low white gate swings-to with a little click, and Miss Primrose walks slowly back to the house, and says, 'Papa, it's very warm;' and you know there's something going to happen.