"Then the second chapter comes, and Mr. Primrose has his dinner, and goes out to visit his poor; and the two girls walk about the garden with Mr. Burchell, watching for Moses, who NEVER COMES BACK. And then the serious business of the story begins, and Burchell keeps his eye upon the Vicar. Nobody else suspects good Mr. Primrose; but Burchell's eye is never off him; and one night, when the curtains are drawn, and the girls are sitting at their work, and dear Mrs. Primrose is cutting out comfortable flannels for the poor, the Vicar opens his desk, and begins to write a letter. You hear the faint sound of the light ashes falling on the hearth, the slow ticking of an eight-day clock in the hall outside the drawing-room door, the sharp snap of Mrs. Primrose's scissors as they close upon the flannel. Sophia asks Burchell to fetch a volume from the bookcase behind the Vicar's chair. He is a long time choosing the book, and his eye looks over the Vicar's shoulder. He takes a mental inventory of the contents of the open desk, and he sees amongst the neatly-docketed papers, the receipted bills, and packets of envelopes--what? a glove, a green kid-glove sewn with white, which he distinctly remembers to have seen worn by Moses when he started on that pleasant journey from which he never returned. Can't you see the Vicar's face, as he looks round at Burchell, and knows that his secret is discovered? I can. Can't you fancy the awful silent duel between the two men, the furtive glances, the hidden allusions to that dreadful mystery, lurking in every word that Burchell utters? "That's how _I_ should do the 'Vicar of Wakefield,'" said Sigismund Smith, triumphantly. "There wouldn't be much in it, you know; but the story would be pervaded by Moses's body lying murdered in a ditch half a mile from the vicarage, and Burchell's ubiquitous eye. I dare say some people would cry out upon it, and declare that it was wicked and immoral, and that the young man who could write about a murder would be ready to commit the deed at the earliest convenient opportunity. But I don't suppose the clergy would take to murdering their sons by reason of my fiction, in which the rules of poetical justice would be sternly adhered to, and Nemesis, in the shape of Burchell, perpetually before the reader."