This time Roberts hesitated, his face a blank as he studied the two
before him. Just perceptibly he leaned forward. His big hands closed on
the chair arms.
"Are you really interested in hearing the definition of pleasure as I
have formulated it for myself, Miss Gleason?" he asked; "I repeat, as I
have formulated it for myself?"
"Yes."
Again Roberts hesitated, his face inscrutable, his body motionless as one
asleep.
"Pleasure," he began low, "is power; conscious, unquestionable, superior
power. In a small way we all experience it when we are hungry and have
the ability to satisfy that hunger. The big animal feels it when the
lesser animal is within its reach and the big animal knows it. The lover
tastes it when he knows another returns that love completely,
irresistibly--knows, I say. The student comprehends it when he is
conscious of ability to solve the problem presented, to solve it
unqualifiedly. The master of men realizes it when those in his command
obey him implicitly; when his word is law. Pleasure is not necessarily an
exercise of that power, in fact is not generally so; but it lies in the
consciousness of ability to exercise it at will. For the big animal to
annihilate the less would bring pain, not pleasure. Hunger satisfied is
passivity, not pleasure. And so on down the list. Superior, conscious
power exercised defeats its own purpose. It is, as men say,
unsportsmanlike. Held in reserve, passive, completely under control, it
makes of a human being a god. This to me is pleasure, Miss Gleason."
For a moment after he ceased speaking the room was quiet. Armstrong still
sat staring at the ceiling; but the smile had left his lips. The girl was
watching the visitor frankly, the tiny pucker, that meant concentration,
between her eyebrows. Roberts himself broke the silence.
"You've heard my definition, Miss Gleason," he laughed; "and no doubt
think me a savage or something of that kind. I shan't attempt to deny it
if you do either. Just as a matter of curiosity and of interest, though,
so long as the subject is up, I'd like to hear your own definition." Of a
sudden he remembered. "And yours, too, Armstrong," he added.
The wrinkle vanished from the girl's forehead. She smiled in turn. An
observer might have said she sparred for time. "After you, Steve," she
accepted.
Armstrong shifted in his seat elaborately.
"This is indeed a bit sudden," he remarked in whimsical commonplace,
"however--" His hands went into his pockets automatically. His eyes
followed a seam on the paper overhead back and forth, before halting
preparatorily.
Public-domain text, read in full here on John Shaqi.
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