"Pleasure with me," he began, "is not practical, but very much the
reverse." His lips twitched humorously. "Neither has it reference to any
superior power. I wouldn't give one single round penny, providing I had
it, to be able to whistle and have a thousand of my fellows dance to the
tune--against their wishes. If I could whistle so sweetly or so
enchantingly that they'd caper nimbly because they wanted to, because the
contagion was irresistible, then--" The whimsical look passed as suddenly
as it had come. "Pleasure with me, I think," he continued soberly, "means
appreciation by my fellow-men, in big things and in little things. I'm a
kind of sunflower, and that is my sun. I'd like to be able to play
marbles so well that the kids would stare in amazement; to fashion such
entrancing mud pies that the little girls would want to eat them; to play
ball so cleverly that the boys would always choose me first in making up
sides; to dance so divinely that the girls would dream about it
afterward; to tell so entertaining a story that men would let their
cigars go dead while they listened, or under different circumstances the
ladies would split their gloves applauding--if they happened to have them
on; last of all, to write a novel so different and interesting that the
reading public, and that means every one, would look on the cover after
they'd turned the last sheet to see who the deuce did it; then trim the
lamp afresh, loosen their collar comfortably and read it through again.
This to me spells pleasure in capitals all the way through: plain
appreciation, pure and simple, neither more nor less."
[Illustration: "I'm tired of reading about life and hearing about life. I
want to live it" (_Page 66_)]
Again silence followed, but a far different silence than before. Of that
difference the three in the room were each acutely conscious; yet no one
made comment. They merely waited, waited until, without preface, the girl
completed the tacit agreement.
Public-domain text, read in full here on John Shaqi.
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