The Doom of the GriffithsGaskell, Elizabeth Cleghorn
General
The Doom of the Griffiths
Gaskell, Elizabeth Cleghorn
England -- Social life and customs -- 19th century -- Fiction; Horror tales, English
Nest, in her loving anxiety to surround her dwelling with every charm for
her husband’s sake, had turned gardener, and the little corners of the
rude court before the house were filled with many a delicate
mountain-flower, transplanted more for its beauty than its rarity. The
sweetbrier bush may even yet be seen, old and gray, which she and Owen
planted a green slipling beneath the window of her little chamber. In
those moments Owen forgot all besides the present; all the cares and
griefs he had known in the past, and all that might await him of woe and
death in the future. The boy, too, was as lovely a child as the fondest
parent was ever blessed with; and crowed with delight, and clapped his
little hands, as his mother held him in her arms at the cottage-door to
watch his father’s ascent up the rough path that led to Ty Glas, one
bright autumnal morning; and when the three entered the house together,
it was difficult to say which was the happiest. Owen carried his boy,
and tossed and played with him, while Nest sought out some little article
of work, and seated herself on the dresser beneath the window, where now
busily plying the needle, and then again looking at her husband, she
eagerly told him the little pieces of domestic intelligence, the winning
ways of the child, the result of yesterday’s fishing, and such of the
gossip of Penmorfa as came to the ears of the now retired Nest. She
noticed that, when she mentioned any little circumstance which bore the
slightest reference to Bodowen, her husband appeared chafed and uneasy,
and at last avoided anything that might in the least remind him of home.
In truth, he had been suffering much of late from the irritability of his
father, shown in trifles to be sure, but not the less galling on that
account.
While they were thus talking, and caressing each other and the child, a
shadow darkened the room, and before they could catch a glimpse of the
object that had occasioned it, it vanished, and Squire Griffiths lifted
the door-latch and stood before them. He stood and looked—first on his
son, so different, in his buoyant expression of content and enjoyment,
with his noble child in his arms, like a proud and happy father, as he
was, from the depressed, moody young man he too often appeared at
Bodowen; then on Nest—poor, trembling, sickened Nest!—who dropped her
work, but yet durst not stir from her seat, on the dresser, while she
looked to her husband as if for protection from his father.
The Squire was silent, as he glared from one to the other, his features
white with restrained passion. When he spoke, his words came most
distinct in their forced composure. It was to his son he addressed
himself:
“That woman! who is she?”
Owen hesitated one moment, and then replied, in a steady, yet quiet
voice:
“Father, that woman is my wife.”
Public-domain text, read in full here on John Shaqi.
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