Historical fiction; Jerusalem -- Fiction; Jerusalem -- History -- Siege, 70 A.D. -- Fiction; Man-woman relationships -- Fiction
He handed to Crispus a gold ring. It was set with a ruby, upon whose
surface there was graven, with beautiful and marvelous art, a device
that caused a quick look of surprise to pass over the face of Crispus.
As he slowly and mechanically turned the ring over in his hand the
ruby darted forth sparkles that caused what was sculptured on the gem
to vanish as if in a blaze of fire. At that sight Crispus gave a great
start, and darted an inquiring look at the king, who replied by a smile
full of a hidden meaning. Titus, who took due note of all this, was
naturally not a little puzzled; he refrained from comment, however,
believing that Crispus would enlighten him later.
“Follow me,” said Polemo, and, lifting a curtain, he led the way to
another chamber so dimly illumined by one lamp only that the parts
remote from the light were scarcely discernible, an arrangement
obviously due to Polemo’s determination that Crispus should see as
little as possible of his bride.
In the semi-darkness two waiting figures, both deeply veiled, were
faintly visible.
Of the one that stood a little in the rear Crispus took no note, she
being obviously an attendant. It was the other upon whom his eyes were
set. Slender and of medium stature, she wore the usual dress of a Roman
bride, the _tunica recta_, a long white robe with a purple fringe,
and girt at the waist with a zone. The _flammeum_, or veil, which
effectually concealed her features, was bright yellow in color, as were
likewise her dainty little shoes. The bride’s hair with the point of
a spear, was dispensed with on this occasion, her head being covered
with a coif, so well disposed that not a single tress was visible. So
completely was her person hidden that, let her dress be changed, and
there was nothing by which he could identify her, if he should meet her
again that same night.
Though Crispus could not see her eyes, he knew full well that she was
watching him as keenly as he was watching her, a scrutiny in which the
advantage was all on her side. She stood, wordless and motionless,
evidently awaiting the king’s pleasure.
“Athenaïs,” said he, “this is your husband.”
She made a little obeisance to Crispus, a simple act, yet performed
with a grace that charmed him.
He did not know in what relation Polemo stood to the bride, but his way
of speaking implied a quasi-authority over her, and since it was the
fashion in those days for parents and guardians to arrange marriages
with very little regard for the feelings of the two most concerned in
the affair, Crispus could not help wondering whether pressure had been
put upon this Athenaïs to induce her to consent to the union. He would
find out.
“Lady,” he said, “I am willing to marry, but only on the understanding
that you come to me without compulsion. Therefore, if you take me
of your own free will, testify the same--since you are forbidden to
speak--by coming forward two paces.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account