The Door in the Wall, and Other StoriesWells, H. G. (Herbert George)
Science
The Door in the Wall, and Other Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories
“And afterwards we went on to the dancing-hall. But I cannot describe
that hall. The place was enormous—larger than any building you have
ever seen—and in one place there was the old gate of Capri, caught into
the wall of a gallery high overhead. Light girders, stems and threads
of gold, burst from the pillars like fountains, streamed like an Aurora
across the roof and interlaced, like—like conjuring tricks. All about
the great circle for the dancers there were beautiful figures, strange
dragons, and intricate and wonderful grotesques bearing lights. The
place was inundated with artificial light that shamed the newborn day.
And as we went through the throng the people turned about and looked at
us, for all through the world my name and face were known, and how I
had suddenly thrown up pride and struggle to come to this place. And
they looked also at the lady beside me, though half the story of how at
last she had come to me was unknown or mistold. And few of the men who
were there, I know, but judged me a happy man, in spite of all the
shame and dishonour that had come upon my name.
“The air was full of music, full of harmonious scents, full of the
rhythm of beautiful motions. Thousands of beautiful people swarmed
about the hall, crowded the galleries, sat in a myriad recesses; they
were dressed in splendid colours and crowned with flowers; thousands
danced about the great circle beneath the white images of the ancient
gods, and glorious processions of youths and maidens came and went. We
two danced, not the dreary monotonies of your days—of this time, I
mean—but dances that were beautiful, intoxicating. And even now I can
see my lady dancing—dancing joyously. She danced, you know, with a
serious face; she danced with a serious dignity, and yet she was
smiling at me and caressing me—smiling and caressing with her eyes.
“The music was different,” he murmured. “It went—I cannot describe it;
but it was infinitely richer and more varied than any music that has
ever come to me awake.
“And then—it was when we had done dancing—a man came to speak to me. He
was a lean, resolute man, very soberly clad for that place, and already
I had marked his face watching me in the breakfasting hall, and
afterwards as we went along the passage I had avoided his eye. But now,
as we sat in a little alcove, smiling at the pleasure of all the people
who went to and fro across the shining floor, he came and touched me,
and spoke to me so that I was forced to listen. And he asked that he
might speak to me for a little time apart.
“‘No,’ I said. ‘I have no secrets from this lady. What do you want to
tell me?’
“He said it was a trivial matter, or at least a dry matter, for a lady
to hear.
“‘Perhaps for me to hear,’ said I.
Public-domain text, read in full here on John Shaqi.
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