The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
These amazing conclusions concerning the origins of life and
reproduction—here, of course, very briefly and imperfectly
presented—cannot but give us pause. Contemplating the evolutions and
affinities of these infinitely numerous but infinitely small organisms
which build up our visible selves, and the strange intelligence which
seems to pervade their movements, the mind reels—somewhat as it does in
contemplating the evolutions and affinities of the unimaginable
stars.[18] We seem, certainly, to trace the same laws or operations in
these minutest regions as we trace in our own corporeal and mental
relations. Cells attract each other just as human beings do; and the
attraction seems to depend, to a certain degree, on difference. The male
spermatozoon seeks the female ovum, just as the male animal, as a rule,
seeks and pursues the female. Primitive cells divide and redivide and
differentiate themselves, building up the animal body, just in the same
way as primitive thoughts and emotions divide and redivide and
differentiate themselves, building up the human mind. But though we thus
see processes with which we are familiar repeated in infinitesimal
miniature, we seem to be no nearer than before to any ‘explanation’ of
them, and we seem to see no promise of any explanation. We merely obtain
a larger perspective, and a suggestion that the universal order is of
the same character throughout—with a suspicion perhaps that the
explanation of these processes does not lie in any concatenation of the
things themselves, but in some other plane of being of which these
concatenations are an allegory or symbolic expression. In portions of
the following chapters I shall trace more in detail the resemblance or
parallelism between these processes among the Protozoa and some of our
own experiences in the great matters of Life and Love and Death.[19]
CHAPTER III
LOVE AS AN ART
Public-domain text, read in full here on John Shaqi.
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