The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
And yet, as we have indicated, the thing, whatever it is, is certainly
by no means insubstantial and unreal. Nothing seems indeed more certain
than that in this strange revolution in the relations of two people to
each other—called “falling in love”—and behind all the illusions
connected with it, _something is happening_, something very real, very
important. The falling-in-love may be reciprocal, or it may be onesided;
it may be successful, or it may be unsuccessful; it may be only a
surface indication of other and very different events; but anyhow, deep
down in the sub-conscious world, _something_ is happening. It may be
that two unseen and only dimly suspected existences are becoming really
and permanently united; it may be that for a certain period, or (what
perhaps comes to the same thing) that to a certain _depth_, they are
transfusing and profoundly modifying each other; it may be that the
mingling of elements and the transformation is taking place almost
entirely in one person, and only to a slight degree or hardly at all in
the other; yet in all these cases—beneath the illusions, the
misapprehensions, the mirage and the _maya_, the surface satisfactions
and the internal disappointments—something very real is happening, an
important growth and evolution is taking place.
To understand this phenomenon in some slight degree, to have some
inkling of the points of the compass by which to steer over this
exceedingly troubled sea, is, one might say, indispensable for every
youthful human creature; but alas! the instruction is not provided—for
indeed, as things are to-day, the adult and the mature are themselves
without knowledge, and their eyes without speculation on the subject.
Treatises on the Art of Love truly exist—and some (for the field they
cover) very good ones, like the _Ars Amatoria_ of Ovid or the
_Kama-sutra_ of Vatsayana; but they are concerned mainly or wholly with
the details and technicalities of the subject—with the conduct of
intrigues and amours, with times and seasons, positions and
preparations, unguents and influences. It is like instructions given to
a boatman on the minutiæ of his craft—how to contend with wind and
wave, how to use sail and oar, to steer, to tack, to luff to a breaker,
and so forth; all very good and necessary in their way, but who is there
to point us our course over the great Ocean, and the stars by which to
direct it? The later works on this great subject—though not despising
the more elementary aspects—will no doubt have to proceed much farther,
into the deep realms of psychology, biological science, and ultimately
of religion.[20]
Public-domain text, read in full here on John Shaqi.
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