The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
This fusion of complementaries, then, which is the characteristic of
fertilization, takes place between the lovers—not only in respect of
their sex-cells, but probably also to a considerable degree in respect
of their body-cells. And though with any mortal lovers the complementary
nature of the fusion can hardly be so complete as to restore the full
glory of the race-life, yet very near to that point it sometimes comes,
filling them with mad and immortal-seeming ecstasies, and excusing them
indeed for seriously thinking that the wings of their souls have begun
to grow! In lesser degree this complementary fusion and exchange is
doubtless the explanation (or one explanation) of that very noticeable
point—the strange way in which lovers after some years come to resemble
each other—in form and feature, in facial expression, tone of voice,
carriage of body, handwriting, and all sorts of minute points.
* * * * *
I suppose at this point it will be necessary to explain that the
recognition of love (in all its aspects) as a general condition of human
health, does not mean a recommendation of wild indulgence in any and
every passion—necessary, because in these cases it seems to be
generally assumed that the proposer of a very simple thesis means a very
great deal more than he says! It is here that the necessity of education
comes in; for hitherto public instruction and discussion in these
matters have been so defective that folk have been unable to talk about
them except in a hysterical way—hysterical on the one side or the
other. The _positive_ value of love, its positive cultivation as a
gracious, superb, and necessary part of our lives has hardly (at least
in the Anglo-Saxon world) entered into people’s minds. To teach young
things to love, and how to love, to actually instruct and encourage them
in the art, has seemed something wicked and unspeakable. Says Havelock
Ellis:[23] “Whether or not Christianity is to be held responsible, it
cannot be doubted that throughout Christendom there has been a
lamentable failure to recognize the supreme importance, not only
erotically but morally, of the art of love. Even in the great revival of
sexual enlightenment now taking place around us there is rarely even the
faintest recognition that in sexual enlightenment the one thing
essentially necessary is a knowledge of the art of love. For the most
part sexual instruction, as at present understood, is purely negative, a
mere string of thou-shalt-nots. If that failure were due to the
conscious and deliberate recognition that while the art of love must be
based on physiological and psychological knowledge, it is far too subtle
too complex, too personal, to be formulated in lectures and manuals, it
would be reasonable and sound. But it seems to rest entirely on
ignorance, indifference, or worse.”
Public-domain text, read in full here on John Shaqi.
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