The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
The ignorance, therefore, which causes a young man, husband or lover, to
think that the hurried completion of the sexual act is at once the
initiation and the fulfilment of love, is fatal enough. It marks more
often the end than the beginning of the affair. For, contrariwise, time
and plenty of time has to be given in order to allow the central
radiation in each case to have its perfect work. Is it too fanciful to
suppose that the _centrosome_, which makes its appearance in the
protozoön on its approach to conjunction, and which seems to rule the
rearrangement of the chromatin elements within it, is the analogue of
the radiating force in human courtship which so strangely sifts out and
remoulds the elements of the lover’s personality? Does the magic of the
centrosome correspond in some sense to the glamour, so well known in
human affairs? And do they both proceed from some deep-hidden,
profoundly important manifestation of the life, the energy, the divinity
if you will, of the Race?
How strange is this matter of the glamour, and its decisiveness in
awakening love by its presence, or leaving it cold by absence! Here is a
story of a woman who, dreadfully disfigured in countenance by an
accident in the hunting-field, called her _fiancé_ to her, and nobly
offered him his freedom; and he ... accepted it! Accepted it, because,
quite really and truly, the destruction of her physical beauty had for
him shattered the Vision and the divinity. And here is another similar
story where, contrariwise, the man immediately confirmed his love and
devotion—because for _him_ the glory around her was more illumined by
her nobility of feeling than it could be darkened by her bodily defect.
Public-domain text, read in full here on John Shaqi.
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