The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Such glamour, working away in the hidden caverns of being, may at last,
like Bruno’s “fabro vulcano,” weld two souls into one, and bring to
light a real, a profound, and perhaps eternal union. It is after all
that inner union which is the real thing; which gives all its joys to
intercourse, and penetrating down into the world of sense, redeems that
world into a thing of glory and beauty. For the complete action of that
creative and organizing force plentiful time must be given; and the two
lovers must possess their souls in patience till it has had its full and
perfect work. Ovid in his _Ars Amatoria_ has many lines on this subject.
“Let the youth,” he says, “with tardy passion burn, like a damp torch”
... _“Non est Veneris properanda voluptas_” ... _“Quod datum ex facili
longum male nutrit amorem_” (Love easily granted may not long endure),
and so forth. And though these passages no doubt refer mainly to what
may be called the practical conduct of amours, yet they have also a very
pointed application to the more important aspects of the grand passion.
A long foreground of approach, time and tact, diffusion of magnetism,
mergence in one another, suffering, and even pain—all these must be
expected and allowed for—though the best after all, in this as in other
things, is often the unexpected and the unprepared.
And if the man has to allow time for all the elements of his nature
to come forward and take their part in the great mystery, all the
more is it true that he has to give the woman time for the fulfilling
of _her_ part. For in general it may be said (though of course with
exceptions) that love culminates more slowly in women than in men.
Men concentrate obviously on the definite part they have to play; but
in women love is more diffused and takes longer to reach the point
where it becomes an inspired and creative frenzy of the whole being.
Caresses, tendernesses, provocation, sacrifices, and a thousand
indirect influences have to gradually conspire to the working out of
this result; and not infrequently the situation so arising demands
great self-control on the part of the man. Yet these things are worth
while. “The real marriage,” says some one, “takes place when from their
intense love there comes to birth another soul—apart from each, and
invisible, yet joining them together, one hand ahold of each—a radiant
thing born of the sun and stars, which though tender and fragile at
first, grows just like a bodily child, and leads them on, and dances
with them.”
Public-domain text, read in full here on John Shaqi.
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