The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
But that the course of true love does generally not run smooth is
understood, more or less, by every one. And it is woman’s strange and
imperious instinct—even though at considerable suffering to herself—to
see that it _doesn’t_ run smooth. Ellis practically bases[24] the whole
of the evolution of modesty on this instinct—reaching far down in the
animal kingdom—by which the female constantly throws difficulties and
obstacles in the way of courtship (by her coynesses, contrarieties,
changeable moods, and so forth); thus calling out in the male all his
ingenuity, his impetuosity, his energy, in overcoming them; rousing
dormant elements of his nature; delaying consummation and giving time
for his character and all his qualities to concentrate; and indirectly
having a like effect upon herself. So that ultimately by this method a
maximum of passion and agitation is produced, and in the case of the
human being love penetrates to the very deeps and hidden caverns of the
soul. Such is the genesis of Modesty—not by any means Nature’s _denial_
of love, but rather the crafty old dame’s method of rendering love, by
temporary obstacles, all the more insurgent and irresistible—her method
of making it less superficial, of deepening the channels and rendering
them more profound.
Practically, and as a matter of policy, a too easy consent to another’s
love is a mistake. The barb only sticks when the bait is withdrawn.
Ovid, it will be remembered, advises that “the lover should be admitted
by the _window_, even when the door is quite accessible, and really more
convenient”;[25] and most girls (though they have not read Ovid) know
instinctively that this is the right policy! Nothing is so hateful to a
real lover as an easy, accommodating, altruistic affection—thoroughly
Christian in sentiment, and with no more shape of its own than a pillow!
Romance flies at the mere mention of Christian altruism; and the essence
of love is romance.
Hence not only technical obstacles, but essential differences are
necessary to the growth of the passion. Differences of age, differences
of sex, differences of class, temperament, hereditary strain, learning,
accomplishment, and so forth—if not _too_ great—are all necessary and
valuable. They all mean romance, and contribute to that exchange of
essences which we saw was the primitive protozoic law. It is quite
probable that the abiding romance between the sexes—so much greater as
a rule than that between two of like sex—is due to the fact that the
man and the woman never really understand each other; each to the other
is a figure in cloudland, sometimes truly divine, sometimes alas! quite
the reverse; but never clear and obvious in outline, as a simple mortal
may be expected to be.
Public-domain text, read in full here on John Shaqi.
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