The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Self-consciousness is fatal to love. The self-conscious lover never
‘arrives.’ The woman looks at him—and then she looks at something more
interesting. And so too the whole modern period of commercial
civilization and Christianity has been fatal to love; for both these
great movements have concentrated the thoughts of men on their own
individual salvation—Christianity on the salvation of their souls, and
commercialism on the salvation of their money-bags. They have bred the
self-regarding consciousness in the highest degree; and so—though they
may have had their uses and their parts to play in the history of
mankind, they have been fatal to the communal spirit in society, and
they have been fatal to the glad expression of the soul in private life.
Self-consciousness is fatal to love, which is the true expression of the
soul. And it is curious how (for some occult reason) the whole treatment
of the subject in our modern world drives it along this painful
mirror-lined ravine—how the child is brought up in ignorance and
darkness, amid averted faces and frowns, and always the thought of self
and its own wickedness is thrust upon it, and never the good and the
beauty of the loved one; how the same attitude continues into years of
maturity; how somehow self-forgetting heroisms for the sake of love are
made difficult in modern life; how even the act of intercourse itself,
instead of taking place in the open air—in touch with the great and
abounding life of Nature—is generally consummated in closed and stuffy
rooms, the symbols of mental darkness and morbidity, and the
breeding-ground of the pettier elements of human nature.[28]
Public-domain text, read in full here on John Shaqi.
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