The Drama of Love and Death: A Study of Human Evolution and Transfiguration — John Shaqi
The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
We have said that for any lasting alliance, or really big and
satisfactory love-affair, plenty of _time_ should be given. Perhaps
it is a good rule (if any rule in such matters can be good) never to
act until one is practically compelled by one’s feelings to do so. At
any rate, the opposite policy—that of letting off steam, or giving
expression to one’s sentiments, at the slightest pressure—is an obvious
mistake. It gives no chance for the depths to be stirred, or the big
forces to come into play. Some degree, too, of self-repression and
holding back on the part of the man gives time, as we have said, for
the woman’s love-feelings to unfold and define themselves. But there
is a limit here, and even sympathy and consideration are not always in
place with love. There is something bigger—titanic, elemental—which
must also have its way. And, after all, Force (if only appropriately
used) is the greatest of compliments. I think every woman, in her heart
of hearts, _wishes_ to be ravished; but naturally it must be by the
right man. This is the compliment which is the most grateful of all to
receive, because it is most sincere; and this is the compliment which
is the most difficult of all to pay—because nothing but the finest
instinct can decide when it is appropriate; and if by chance it is
inappropriate the cause is _ipso facto_ ruined.
Nature prizes strength and power; and so likewise does love, which moves
in the heart of Nature and shares her secrets. To regard Love as a kind
of refined and delicate altruism is, as we have already hinted,
drivelling nonsense. To the lover in general violence is more endurable
than indifference; and many lovers are of such temperament that blows
and kicks (actual or metaphorical) stimulate and increase their ardor.
Even Ovid—who must have been something of a gay dog in his
day—says,"_non nisi læsus amo_.” There is a feeling that at all costs
one must come to close quarters with the beloved—if not in the mimic
battles of sex, then in quite serious and hostile encounters. To reach
the other one somehow, to leave one’s mark, one’s impress on the
beloved—or _vice versa_ to _be_ reached and to _feel_ the impress—is a
necessity. I sometimes think that this is the explanation of those
strange cases in which a man, mad with love, and unable to satisfy his
passion, _kills_ the girl he loves. I don’t think it is hypothetical
jealousy of a possible other lover. I think it is something much more
direct than that—the blind urge to reach her very actual self, even if
it be only with knife or bullet. I am sure that this is the explanation
of those many cases of unhappily married folk who everlastingly nag at
each other, and yet will not on any account part company. They cannot
love each other properly, and yet they cannot leave each other alone. A
strange madness urges them into continual contact and collision.
Public-domain text, read in full here on John Shaqi.
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