The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, EsmeraldaHugo, Victor
General
The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, Esmeralda
Hugo, Victor
French drama -- 19th century -- Translations into English
What does that matter? All men are alike about that. I don't want him
to die. Listen, my lord--I mean Sir Bailiff. Good God! you confuse my
mind so much that I can't even tell whom I am talking to. Oh, I know
all that you want to say to me! I know he is a vile, degraded,
contemptible man. I know it as well as you, and I blush for it. But I
love him! What do you want me to do about it? I would probably love a
better man less. Moreover, who are you--all of you--great as you may
be? Are you any better than he? You will tell me that he is a
favorite, and the English nation detests favorites! Don't I know that
you only want to overthrow him to put the Earl of Kildare--that fool,
that Irishman--in his place, that he may have twenty heads a day cut
off? What does that matter to you? Don't talk to me about your Prince
of Spain; you make light enough of him. Don't talk to me about the
anger of M. de Noailles, the French embassador! M. de Noailles is an
idiot, and I will tell him so to his face. As for me, I am a woman; I
want things, and then I don't want them. I am not made all in one
piece. That man's life is necessary to my life. Oh, I beg of you,
don't put on that air of virginal sincerity and good faith. I know
all your intrigues. Between us two, you know as well as I that he
didn't commit the crime for which he is condemned. Well, it is
settled. I don't want Fabiani to die. Am I the mistress, or am I not?
Come, Sir Bailiff, let us talk about something else, will you?
SIMON RENARD.
I withdraw, madame. All your nobles have spoken to you through my
voice.
THE QUEEN.
What do I care for my nobles!
SIMON RENARD (_aside_).
Suppose we try the people!
[_He goes out with respectful salutation._
THE QUEEN (_alone_).
He went out with a singular expression. That man is capable of
arousing a rebellion. I must hurry off to the City Hall. What ho!
Some one! [_Master Eneas and Joshua appear._
SCENE V
_The same, without Simon Renard. Master Eneas, Joshua_
THE QUEEN.
Is it you, Master Eneas? This man and you, you must attend to it that
the Earl of Clanbrassil makes his escape at once.
MASTER ENEAS.
Madame--
THE QUEEN.
Very well! I won't trust you; I remember you are one of his enemies.
Are there none but enemies of the man I love, around me? I will wager
that this turnkey, whom I don't even know, he hates him too.
JOSHUA.
You are right, madame.
THE QUEEN.
My God! My God! This Simon Renard is more a king than I am a queen!
What! not one person to trust? No one to whom I can give power to
plan his escape?
JANE (_coming out from behind the pillar_).
Yes, madame, I!
JOSHUA (_aside_).
Jane!
THE QUEEN.
Public-domain text, read in full here on John Shaqi.
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