The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, EsmeraldaHugo, Victor
General
The Dramas of Victor Hugo: Mary Tudor, Marion de Lorme, Esmeralda
Hugo, Victor
French drama -- 19th century -- Translations into English
You! Who are you? Ah, it is you, Jane Talbot. What are you doing
here? Never mind, you are here! You have come to save Fabiani; thank
you! I ought to hate you, Jane; I ought to be jealous of you. I have
reason enough to be! But I'm not! I love you for loving him! In front
of the scaffold there is no more jealousy--nothing but love! You are
like me, you forgive him. I understand; men don't understand these
things. Lady Jane, let us have it clearly understood. We are both of
us miserable, are we not? We must save Fabiani! I have no one but
you. I must let you do it! At least, I am sure, you will do it with
all your heart. Take charge of it, gentlemen, both of you. Do
everything that Lady Jane directs you to do, and upon your heads, you
will be answerable for the execution of her orders. Embrace me, young
woman!
JANE.
The Thames washes the base of the Tower on this side. I noticed a
secret passage. A boat at that place, and the escape might be made by
the Thames. It is the safest way.
MASTER ENEAS.
It will be impossible to get a boat there, before an hour.
JANE.
That is very long.
MASTER ENEAS.
It will soon pass! It will be dark, too. That will be better if her
Majesty wishes to keep the escape secret.
THE QUEEN.
Perhaps you are right. In one hour then. I leave you, Lady Jane. I
must go to the City Hall. Save Fabiani!
JANE.
Make yourself easy, madame!
[_The Queen goes out; Jane follows her with her eyes._
JOSHUA (_front of stage_).
Gilbert was right; she loves Fabiani!
SCENE VI
_The same, without The Queen_
JANE (_to Master Eneas_).
You have heard the Queen's commands. A boat, there, at the base of
the Tower, the keys of the secret corridors, a cap, and a cloak.
MASTER ENEAS.
Impossible to get all that before night. In one hour, my lady.
JANE.
Very well! Go! Leave me with this man.
[_Master Eneas goes out. Jane follows him with her eyes._
JOSHUA (_aside, at front stage_).
"This man!" It is very natural. One who has forgotten Gilbert will
not remember Joshua.
[_He goes to Fabiani's cell and is about to open it._
JANE.
What are you doing there?
JOSHUA.
Forestalling your wishes, my lady. I am opening this door.
JANE.
What door is that?
JOSHUA.
The door of my Lord Fabiani's cell.
JANE.
And that one?
JOSHUA.
It is the door to another man's cell.
JANE.
Who is he--that other?
JOSHUA.
Another who is condemned to death; some one whom you do not know--a
workman named Gilbert.
JANE.
Open that door!
JOSHUA (_after having opened it_).
Gilbert!
SCENE VII
Jane, Gilbert, Joshua
GILBERT (_from the interior of his cell_).
What is wanted?
[_He appears on the threshold, sees Jane, leans trembling against
the wall._
Jane! Lady Jane Talbot!
JANE (_on her knees, without lifting her eyes to him_).
Gilbert, I have come to save you!
GILBERT.
Save me!
JANE.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account