The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
[_As before._] Good Lord A'mighty, is that so indeed?
GEORGE
How do I get out of here, tell me that!
HANNE
[_Alert, mobile, and coquettish in her way in the waiter's presence._]
You has to go back up the stairs. We has no use down here for your
swallow tails.
GEORGE
This is the first story, eh? Best part o' the house?
HANNE
You mean the kennels or somethin' like that? We'll show you--that we
will! The very best people live down here!
GEORGE
[_Intimately and flirtatiously._] Young woman, do you know what? You come
along an' show me the way? With you I wouldn't be a bit afraid, no matter
where you lead me to. I'd go into the cellar with you or up into the hay
loft either.
HANNE
You stay out o' here! You're the right kind you are! We've got enough of
your sort without you.
GEORGE
Young woman, do you want me to help with the washin'?
HANNE
No! But if you're aimin' at it exackly, I c'n help you to get along!
[_Half drawing a piece of linen out of the suds._] Then you'd be lookin'
to see where your starched shirt-front went to!
GEORGE
O dear! You're not goin' to mess me up that way, are you? Well, well,
that wouldn't do! We'd have to have a talk about that first! That so,
young woman? Well, o' course! We'll talk about it--when I has time,
later.
[_He mounts the stairs and disappears._
WERMELSKIRCH
He won't lose his way very often after this! Siebenhaar will see to it
that he gets to know the way from the dining hall to the kitchen.--Hanne,
when is Henschel coming back?
HANNE
About noon, I s'pose! D'you want me to give him a message?
WERMELSKIRCH
Tell him--don't forget, now--tell him that I--send him my regards.
HANNE
Such foolishness. I might ha' thought ...!
WERMELSKIRCH
[_Passing her with a slight bow._] Thoughts are free ... I wish you a
good morning.
[_Exit._
HANNE
[_Alone, washing vigorously._] If only Henschel wasn't such a fool!
_Above the cellar, outside, the pedlar FABIG, kneeling down, looks in
at the window._
FABIG
Good mornin', young woman! How are you? How's everythin'?
HANNE
Who are you anyhow?
FABIG
Why--Fabig, from Quolsdorf. Don't you know me no more? I'm bringin' you a
greetin' from your father. An' he wants me to tell you ... Or maybe you'd
want me to come in?
HANNE
Aw, I know. I believe you. He wants money again. Well, I has none myself.
FABIG
I told him that myself. He wouldn't believe me. Are you all alone, young
woman?
HANNE
Why d'you ax?
FABIG
[_Lowering his voice._] Well now you see, there's more'n one thing I has
on my heart. An', through the window, people might be hearin' it.
HANNE
Oh well, I don't care. You c'n come in! [_FABIG disappears from the
window._] That that feller had to be comin' to-day ...!
[_She dries her hands._
_FABIG enters. He is a poorly clad, strangely agile, droll pedlar,
with a sparse beard, about thirty-six years old._
FABIG
A good mornin' to you, young woman.
HANNE
Public-domain text, read in full here on John Shaqi.
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