The Dramatization of Bible Stories: An experiment in the religious education of childrenLobingier, Elizabeth Miller
Philosophy
The Dramatization of Bible Stories: An experiment in the religious education of children
Lobingier, Elizabeth Miller
Children's plays; Drama in education; Religious education
This mode of procedure in developing a dramatization illustrates the
general method which is employed in order to secure the results herein
discussed. It should be helpful as a method which may be varied or
built upon according to the circumstances. Detailed descriptions of
exact modes of procedure in presenting different kinds of Bible stories
to the dramatic club will follow. Costumes and stage settings have
always been of the simplest nature and will be discussed at length in a
separate chapter.
In order that this method may be of greatest practical value to those
who are unfamiliar with it, a summary may give the steps in logical
sequence. This outline is not to be taken as unchangeable, but merely
as a working basis for the beginner.
1. Select a story with care; then adapt it for telling.
2. Tell the story, emphasizing the essential parts.
3. Let the children divide the story into pictures or scenes.
4. Have a discussion of what should take place in each
scene.
5. Let volunteers from among the children act out one scene
as they think it should be done, using their own words.
6. Develop criticism by the other children with suggestions
for improvement.
7. Have a second acting of the scene for improvement.
8. Let each of the other scenes be worked out in the same
manner.
9. See that every child has the chance to try out many parts.
10. Play the story through many times. Change it often
according to the criticism, until the children recognize the
result as a product of their best effort.
11. With the help of the children change the words into
biblical form.
12. Let the group assign definite parts to be learned for the
final performance.
CHAPTER III
THE DRAMATIZATION OF _JOSEPH_
As will be noted in the following chapter, it is well in beginning
dramatic work with children to use for the first efforts very simple
stories. _Joseph_ is too long and complicated for an early experiment.
We may begin our exposition of method with this story, however, as it
illustrates especially well the details of the developing process.
At the first meeting the story was told in terms that followed closely
the Bible version. The children were asked to select the big events, or
pictures, in Joseph's life. They readily spoke of his life in Canaan as
a boy; his being put into the pit and sold to the merchants; his life
in Egypt with Potiphar; the prison experience and the interpretation of
Pharaoh's dream; the change of fortune in becoming ruler of the land;
the famine and the visits of his brothers; and, finally, his kindness
to his father and brothers in giving them a home in Egypt.
The story was told to the children very much as follows:
Jacob was an old man, too old to care for his large flocks.
He sat in the door of his tent day after day, and sent his
twelve sons off with the sheep and goats to find grassy
fields.
Public-domain text, read in full here on John Shaqi.
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