The Duchess of Rosemary Lane: A Novel — John Shaqi
The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
General
The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
He goes, and returns within the time he named. A light American buggy
is at the door, and the stable-lad is at the horse's head. Nelly is so
weak that the young gardener has to support her as she walks from
the house; he lifts her with ease in his strong arms into the
conveyance--marvelling at her lightness, and loving and pitying her
the more because of it--and mounts by her side. The stable-lad looks
on wistfully.
"There is no room for you, my lad," says the gardener's son. "Stop
here till we return. He can sleep in the house?" He asks this question
of Nelly.
"Oh, yes," she answers, listlessly.
The next moment they are off.
The boy runs after them, keeps them in sight for a little while, but
is compelled at length to stop for rest.
"Never mind," he mutters, when he has recovered his breath. "I know
where they've gone to. I'll follow them the best way I can." And off
he starts, at a more reasonable pace for a human being.
The snow comes down faster and faster, and the gardener's son, with
his head bent to his breast, plies whip and rein. Their road lies
through many winding lanes, lined and dotted with hedges and cottages.
Not a soul is out but themselves, and the home-light gleams from the
cottage windows. Echoes of voices are heard from within some laughing,
some singing, some quarrelling. The gardener's son notices all the
signs as they rattle past; Nelly is indifferent to them. They stop at
a wayside inn, to give the horse breathing time. The gardener's son
urges Nelly to take some refreshment; she refuses, with sad and
fretful impatience, and begrudges the horse its needful rest. They
start again, he striving to keep up her spirits with tender and
cheerful words.
"Another milepost," he says, shaking up the reins, and in a few
minutes proclaims blithely, "and another milepost! That's quick work,
that last mile. What's the matter with the nag?" he cries, as the
beast shies in sudden fright, "It's not a milepost. It's a woman."
The woman, who has been crouching by the roadside, rises, and walks
silently into the gloom. They can see that she is in rags--a sad,
poverty-stricken mortal, too numbed with cold and misery to make an
appeal for charity. This thought is expressed by the young gardener,
who concludes his remarks with, "Poor creature!" Nelly shudders at the
words and the pitying tone in which they are uttered. White are the
roads they traverse, leaving a clear-cut black gash behind them, into
which the soft snow falls gently, as though to heal the wounds
inflicted. White is the night, but Nelly's face bids fair to rival it.
A sigh escapes her bosom, and she sinks back, insensible.
The gardener's son calls to her in alarm, but she does not reply. He
sees a light in a cottage window a short distance off, and he draws up
at the door. Yet even as he lifts Nelly down with gentle care, she
recovers, and asks him with a frightened air why he has stopped.
"You fainted," he explains.
Public-domain text, read in full here on John Shaqi.
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