The Duchess of Rosemary Lane: A NovelFarjeon, B. L. (Benjamin Leopold)
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The Duchess of Rosemary Lane: A Novel
Farjeon, B. L. (Benjamin Leopold)
English fiction -- 19th century
"I am well now," she cries, with feverish eagerness. "Go on--go on!"
He answers, with a determination, that he will not proceed until she
has taken something to sustain her strength--a cup of tea, a little
brandy, anything--and she is compelled to yield. He knocks at the
cottage door. A labourer opens it. The young gardener explains the
nature of his errand, and produces money.
"You are in luck's way," says the labourer. "The missus has just made
herself a cup of tea."
His wife turns her head, with a reproachful look, towards the door,
the opening of which has brought a blast of cold air into the room.
She is kneeling by a cradle at the fireside, and with common, homely
words of love is singing her baby to sleep. Nelly catches her breath
as the song and its meaning fall upon her ears and understanding, and
in an agony of agitation she begs the young gardener to take her away.
The tears stream down her cheeks, and her face is convulsed as she
thus implores him. The soft sweet song of the mother has cut into her
heart with the sharp keenness of cruelly-edged steel.
"Let me go," she cries wildly, "let me go! O my heart, my heart!"
The labourer's wife comes hurriedly forward, still with the mother's
love-light in her eyes. But instead of speaking soothing words to the
girl, she exclaims,
"Lord save us! What brings you out on such a night as this, and where
do you belong to? You ought to be ashamed of yourself"--(this to the
young gardener)--"carrying the poor child about in such a condition!"
"Ay, ay, dame," replies the young gardener, gently, with an observant
glance at Nelly, a glance which brings a troubled look into his own
face; "it _is_ a bitter night----"
Nelly stops his further speech, and putting her arm about the woman's
neck, whispers to her. The young gardener turns his back upon the
women, and the labourer sits on a chair, with his eyes to the ground.
For a minute or so the men do not stir from the positions they have
assumed; then, as though moved by a common thought, they step softly
from the cottage, and stand in silence outside for many minutes, until
the wife comes to the door, and beckons them in. Nelly is on her knees
by the cradle.
"Get along as quick as you can," whispers the labourer's wife to the
young gardener; "there's little time to lose."
There are tears on her face, and on Nelly's also, as she rises from
her knees.
"God bless you, my dear!" says the woman to the unhappy girl; and when
Nelly and her protector have departed, she turns to her husband, and
kisses his weather-worn face, with a grateful feeling in her breast,
to which she could not have given expression in speech. But words are
not needed at this moment.
In the meanwhile the travellers are speeding onwards.
"Only four miles to go now," says the young gardener, cheerfully;
"keep up your strength."
Nelly nods, and hides her face from her companion. It might make _his_
heart faint to see the suffering depicted there.
Public-domain text, read in full here on John Shaqi.
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