France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
At Paris, in the highest society of all, a woman is a woman still; she
lives on incense, adulation, and honours. No beauty, however undoubted,
no face, however fair, is anything without admiration. Flattery and
a lover are proofs of power. And what is power without recognition?
Nothing. If the prettiest of women were left alone in a corner of a
drawing-room, she would droop. Put her in the very centre and summit of
social grandeur, she will at once aspire to reign over all hearts--often
because it is out of her power to be the happy queen of one. Dress and
manner and coquetry are all meant to please one of the poorest creatures
extant--the brainless coxcomb, whose handsome face is his sole merit;
it was for such as these that women threw themselves away. The gilded
wooden idols of the Restoration, for they were neither more nor less,
had neither the antecedents of the _petits maitres_ of the time of the
Fronde, nor the rough sterling worth of Napoleon’s heroes, not the wit
and fine manners of their grandsires; but something of all three they
meant to be without any trouble to themselves. Brave they were, like
all young Frenchmen; ability they possessed, no doubt, if they had had
a chance of proving it, but their places were filled up by the old
worn-out men, who kept them in leading strings. It was a day of
small things, a cold prosaic era. Perhaps it takes a long time for a
Restoration to become a Monarchy.
For the past eighteen months the Duchesse de Langeais had been leading
this empty life, filled with balls and subsequent visits, objectless
triumphs, and the transient loves that spring up and die in an evening’s
space. All eyes were turned on her when she entered a room; she reaped
her harvest of flatteries and some few words of warmer admiration, which
she encouraged by a gesture or a glance, but never suffered to penetrate
deeper than the skin. Her tone and bearing and everything else about her
imposed her will upon others. Her life was a sort of fever of vanity
and perpetual enjoyment, which turned her head. She was daring enough in
conversation; she would listen to anything, corrupting the surface, as
it were, of her heart. Yet when she returned home, she often blushed at
the story that had made her laugh; at the scandalous tale that supplied
the details, on the strength of which she analyzed the love that she had
never known, and marked the subtle distinctions of modern passion, not
with comment on the part of complacent hypocrites. For women know how
to say everything among themselves, and more of them are ruined by each
other than corrupted by men.
Public-domain text, read in full here on John Shaqi.
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