France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
There came a moment when she discerned that not until a woman is loved
will the world fully recognise her beauty and her wit. What does a
husband prove? Simply that a girl or woman was endowed with wealth, or
well brought up; that her mother managed cleverly that in some way she
satisfied a man’s ambitions. A lover constantly bears witness to her
personal perfections. Then followed the discovery still in Mme de
Langeais’ early womanhood, that it was possible to be loved without
committing herself, without permission, without vouchsafing any
satisfaction beyond the most meagre dues. There was more than one demure
feminine hypocrite to instruct her in the art of playing such dangerous
comedies.
So the Duchess had her court, and the number of her adorers and
courtiers guaranteed her virtue. She was amiable and fascinating; she
flirted till the ball or the evening’s gaiety was at an end. Then the
curtain dropped. She was cold, indifferent, self-contained again till
the next day brought its renewed sensations, superficial as before. Two
or three men were completely deceived, and fell in love in earnest.
She laughed at them, she was utterly insensible. “I am loved!” she told
herself. “He loves me!” The certainty sufficed her. It is enough for the
miser to know that his every whim might be fulfilled if he chose; so it
was with the Duchess, and perhaps she did not even go so far as to form
a wish.
One evening she chanced to be at the house of an intimate friend Mme la
Vicomtesse de Fontaine, one of the humble rivals who cordially detested
her, and went with her everywhere. In a “friendship” of this sort both
sides are on their guard, and never lay their armor aside; confidences
are ingeniously indiscreet, and not unfrequently treacherous. Mme de
Langeais had distributed her little patronizing, friendly, or freezing
bows, with the air natural to a woman who knows the worth of her smiles,
when her eyes fell upon a total stranger. Something in the man’s large
gravity of aspect startled her, and, with a feeling almost like dread,
she turned to Mme de Maufrigneuse with, “Who is the newcomer, dear?”
“Someone that you have heard of, no doubt. The Marquis de Montriveau.”
“Oh! is it he?”
She took up her eyeglass and submitted him to a very insolent scrutiny,
as if he had been a picture meant to receive glances, not to return
them.
“Do introduce him; he ought to be interesting.”
“Nobody more tiresome and dull, dear. But he is the fashion.”
Public-domain text, read in full here on John Shaqi.
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