"I am by no means bloodthirsty," replied Shurochka, sharply. "On the
contrary, I am very tender-hearted. If a beetle crawls on to my neck I
remove it with the greatest caution so as not to inflict any hurt on
it--but try and understand me, Romashov. This is my simple process of
reasoning: 'Why have we officers?' Answer: 'For the sake of war.' 'What
are the most necessary qualities of an officer in time of war?' Answer:
'Courage and a contempt of death.' 'How are these qualities best
acquired in time of peace?' Answer: 'By means of duels.' How can that be
proved? Duels are not required to be obligatory in the French Army, for
a sense of honour is innate in the French officer; he knows what respect
is due to himself and to others. Neither is duelling obligatory in the
German Army, with its highly developed and inflexible discipline. But
with us--us, as long as among our officers are to be found notorious
card-sharpers such as, for instance, Artschakovski; or hopeless sots, as
our own Nasanski, when, in the officers' mess or on duty, violent scenes
are of almost daily occurrence--then, such being the case, duels are
both necessary and salutary. An officer must be a pattern of
correctness; he is bound to weigh every word he utters. And, moreover,
this delicate squeamishness, the fear of a shot! Your vocation is to
risk your life--which is precisely the point."
All at once she brought her long speech to a close, and with redoubled
energy resumed her work.
"Shurochka, what is 'rival' in German?" asked Nikoläiev, lifting his
head from the book.
"Rival?" Shurochka stuck her crochet-needle in her soft locks. "Read out
the whole sentence."
"It runs--wait--directly--directly--ah! it runs: 'Our rival abroad.'"
"_Unser ausländischer Nebenbuhler_" translated Shurochka straight off.
"_Unser_," repeated Romashov in a whisper as he gazed dreamily at the
flame of the lamp. "When she is moved," thought he, "her words come like
a torrent of hail falling on a silver tray. _Unser_--what a funny word!
_Unser--unser--unser._"
"What are you mumbling to yourself about, Romashov?" asked Alexandra
Petrovna severely. "Don't dare to sit and build castles in the air
whilst I am present."
He smiled at her with a somewhat embarrassed air.
"I was not building castles in the air, but repeating to myself
'_Unser--unser._' Isn't it a funny word?"
"What rubbish you are talking! _Unser._ Why is it funny?"
"You see" (he made a slight pause as if he really intended to think
about what he meant to say), "if one repeats the same word for long, and
at the same time concentrates on it all his faculty of thought, the word
itself suddenly loses all its meaning and becomes--how can I put it?"
"I know, I know!" she interrupted delightedly. "But it is not easy to
do it now. When I was a child, now--how we used to love doing it!"
"Yes--yes--it belongs to childhood--yes."
Public-domain text, read in full here on John Shaqi.
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