Katherine shopped with her; they considered gowns together. Katherine's
taste was exquisite, and the bonnets of her choice the most becoming
Mrs. Apswith had ever worn. The girl was not above liking pretty
things--that was already nice in her--for the girl was clever enough to
pose indifference. Mary saw at once that she was clever. Katherine was
very independent, but very attentive. Her sincerity was charmingly gay,
and not priggish. She said just what she thought; but she thought things
that were worth saying. She made little display of learning, but one
felt it--like the silk lining in a plain serge gown. She did not talk
too much; she made Mrs. Apswith feel like talking. Mary took her twice
to the play with Peter and herself. Hilda was once invited and came. Odd
sat in the back of the box and watched for the effect on her face of the
clever play interpreted by the best talent of the Théâtre Français. The
quiet absorption of her look might imply much intelligent appreciation;
but Katherine's little ripples of glad enjoyment, clever little thrusts
of criticism, made Hilda's silence seem peculiarly impassive, and while
between the acts Katherine analyzed keenly, woke a scintillating sense
of intellectual enjoyment about her in flashes of gay discussion, Hilda
sat listening with that same smile of admiration that almost irritated
Odd by its seeming acceptance of inability--inferiority.
The smile, from its very lack of all self-reference, was rather
touching; and Mary owned that Hilda was "sweet," but the adjective did
not mitigate the former severity of judgment--that was definite.
When Mary went, she begged Katherine to accept the prettiest gown Doucet
could make her, and Katherine accepted with graceful ease and frankness.
The gown was exquisite. Mary sent to Hilda a fine Braun photograph,
which Hilda received with surprised delight, for she had done nothing to
make Mrs. Apswith's stay in Paris pleasant. She thought such kindness
touching, and Katherine's gown the loveliest she had ever seen.
CHAPTER V
Public-domain text, read in full here on John Shaqi.
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