The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
All prisons are not alike in their origin. In the beginnings of states,
force counts for more than legal prescripts, and ideas of vengeance go
above the worthier idea of the repression of crime. Such-and-such a
prison, renowned in history, is the expression in stone and mortar of
the power or the hatred of its builders. Thus and thus did they plan and
construct against their enemies. There was no mistaking, for example,
the purpose of the architect of the Bastille,—it must be a fortress
stout enough to resist the enemy outside, and a place fit and suitable
to hold and to torture him when he had been carried a prisoner within
its walls.
But Vincennes, in its origin, at all events, may be viewed under other
and softer aspects. Those prodigious towers, for all the frightful
menace of their frown, were not first reared to be a place of torment.
The name of Vincennes came indeed, in the end, to be not less dreadful
and only less abhorrent than that of the Bastille. A few revolutions of
the vicious wheel of despotism, and the King's château was transformed
into the King's prison, for the pain of the King's enemies, or of the
King's too valiant subjects. But the infancy and youth of Vincennes were
innocent enough, a reason, perhaps, why it was always less hated of the
people than the Bastille. Vincennes lived and passed scathless through
the terrors and hurtlings of the Revolution; and presently, from its
cincture of flowers and verdant forest, looked down upon that high
column of Liberty, which occupied the blood-stained site of the
vanquished and obliterated Bastille.
[Illustration: THE KEEP OR DUNGEON OF VINCENNES.]
King Louis lived no more in the château, and his masons made good the
breaches in the dungeon which neglect, rather than age, had occasioned.
When it stood again a solid mass of stone,—
"Gossip," said Louis to his executioner and torturer-in-chief, "if there
were some little executions to be done here quietly and secretly—as you
like to do them, Tristan—what place would you choose, _hein_?"
"I've chosen one, sire; a beautiful chamber on the first floor. The
walls are thick enough to stifle the cries of an army; and if you lift
the stones of the floor here and there, you find underneath the most
exquisite _oubliettes_! Ah! sire, they understood high politics before
your Majesty's time."
King Louis caressed his pointed chin, and laughed:
"I think it was Charles _the Wise_ who built that chamber."
"No, sire; it was John _the Good_!"
"Ah, so! Go on, gossip. My dungeon is quite ready, eh?"
"Quite ready, sire."
"To-morrow, then, good Tristan, you will go to Montlhéry. In the château
there you will find four guests of mine, masked, and very snug in one of
our cosy iron cages. You will bring them here."
"Very good, sire."
"You will take care that no one sees you—or them."
"Yes, sire."
Public-domain text, read in full here on John Shaqi.
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