The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
"And you will be tender of them, gossip. You are not to kill them on the
way. When we have them here—we shall see. Start early to-morrow,
Tristan. As for friend Oliver here, he shall be my governor of the
dungeon of Vincennes, and devote himself to my prisoners. If a man of
them escapes, my Oliver, Tristan will hang you; because you are not a
nobleman, you know."
"Sire," murmured the barber, "you overwhelm me."
"Your Majesty owed that place to me, I think," said Tristan.
"Are you not my matchless hangman, gossip? No, no! Besides, I'm keeping
you to hang Oliver. Go to Montlhéry."
Thus was Vincennes advanced to be a State prison, in 1473, when Louis
XI. held the destinies of France. From that date to the beginning of the
century we live in, those black jaws had neither sleep nor rest. As fast
as they closed on one victim, they opened to receive another. At a
certain stage of all despotic governments, the small few in power live
mainly for two reasons—to amuse themselves and to revenge themselves.
One amuses oneself at Court, and a State prison-controlled from the
Court—is an ideal means of revenging oneself. The tedious machinery of
the law is dispensed with. There is no trouble of prosecuting, beating
up witnesses, or waiting in suspense for a verdict which may be given
for the other side. The _lettre de cachet_, which a Court historian
described as an ideal means of government, and which Mirabeau (in an
essay penned in Vincennes itself) tore once for all into shreds, saved a
world of tiresome procedure to the King, the King's favourites, and the
King's ministers. For generations and for centuries, absolutism,
persecution, party spirit, public and private hate used the _lettre de
cachet_ to fill and keep full the cells and dungeons of the Bastille and
Vincennes. It was, to be sure, a two-edged weapon, cutting either way.
He who used it one day might find it turned against him on another day.
But, by whomsoever employed, it was the great weapon of its time; the
most effective weapon ever forged by irresponsible authority, and the
most unscrupulously availed of. It was this instrument which, during
hundreds of years, consigned to captivity without a limit, in the
_oubliettes_ of all the State prisons of France, that "_immense et
déplorable contingent de prisonniers célèbres, de misères illustres_."
Public-domain text, read in full here on John Shaqi.
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