The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
"Now that I remember, he told me something else, that in the present
state of my health a bath, with as little delay as possible, was
indispensable. Perhaps he did not mention that to you?"
"I fancy he did say something about it."
"Oh, he did! But the King and the Government have not debated it yet, I
suppose? Well, sir, I want a bath and I'm going to have one."
"You have no right to give orders here, sir."
"Nor have you the right to withhold what the doctor prescribes for me."
"M. de Mirabeau, you are insolent. Do you forget that I represent the
King?"
"He could not be more grotesquely represented. The distance between you
and his Majesty is short, sir."
The governor (to make the joke more apparent) was short and of a full
habit. He went out speechless, and Mirabeau would doubtless have felt
the effects of his rage had it not been for the interest of Lenoir,
Lieutenant-General of Police, who was always ready to stand between the
prisoner and the vengeful gaoler. Through Lenoir, who won for him the
intercession of the Princesse de Lamballe, Mirabeau got the use of books
and pen, and some other small indulgences. He wrote to his father: "Will
you not ease me of my chains? Let me have friends to see me; let me have
leave to walk. Let me exchange the dungeon for the château. There as
here I should be under the King's hand, and close enough to the prison,
if I should abuse that measure of liberty." The implacable _Friend of
Man_ vouchsafed no response to this entreaty. The prisoner buried
himself in the books that were given him, but they were for the most
part "_de mauvais auteurs_," who had nothing to teach him. He flung them
from him one by one, and as he paced his cell he began those brilliant
improvisations which were soon to electrify France, and which struck
absolutism at its root. In this way he worked out the scheme of the
_lettres de cachet_, that work of flaming eloquence in which the genius
of liberty approaches, seizes, and strangles the dragon of despotism.
Deprived of all but his pen, Mirabeau let fall from the height of his
dungeon on the head of royalty that thunderbolt of a treatise. Since De
Rougemont would never, for a hundred chiefs of police, have aided him
with materials for this purpose, he tore out of all the books he could
lay hands on the fly-leaves and blank spaces, and covered them with his
fine close writing. Each completed slip he concealed in the lining of
his coat, and in this manner did the tribune compose and preserve his
work, every page of which was a prophecy of the coming Revolution. When
inspiration lacked for a time, he prostrated himself on the flags of his
cell and wept for his absent mistress, or he renewed hostilities with De
Rougemont. The battle of the trunk was followed by the battle of the
looking-glass.
Public-domain text, read in full here on John Shaqi.
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