The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
To dye silk black for velvets—To dye silk black _London
process_—On dyeing cotton black at _Rouen_—To dye cotton black,
_London process_—For dyeing black, particularly cotton velvets,
at _Manchester_—On dyeing silk and cotton black with a blue
ground—Another iron liquor—To dye cotton black by using the
preceding solution—to dye cotton violet—To dye cotton red—To
dye cotton an Adrianople or Turkey red—Miscellaneous observations
relative to Adrianople red 105
CHAPTER VI.
ON DYEING COTTON AND SILK.
To dye skein cotton yellow—On dyeing and re-dyeing cotton
furniture yellow—to dye cotton skein a duck's wing green and
olive—Of browns, maroons, coffee colours, &c.—Observations on
silk—On ungumming and boiling silk—Whitening—Sulphuring—On
aluming silk—Skein silk for yellow—Preparation of annatto for
aurora or orange, moidore, gold colour, and chamois—To dye silk
aurora or orange—To dye moidore—Process for orange—To dye silk
poppy or coquelicot—A cheaper poppy with annatto and Brazil
wood—On dyeing, silk a fine crimson—Composition for dyeing silks
scarlet or crimson with cochineal—Another process for
crimson—Another process for crimson by Brazil wood—Of fine
violet—Observations on crimson and scarlet upon silk—On dyeing
silk green—On olives—On dyeing silk grey—Nut grey—Black
greys—Iron greys—On dyeing silk of a Prussian blue
colour—Chromate of lead for yellow on silk or cotton—Conclusion 123
Index 153
THE DYER'S GUIDE.
CHAPTER I.
INTRODUCTORY.
_On the different branches of dyeing—On the drugs used in dyeing—On
vegetable and animal substances—On substantive and adjective colours and
mordants, and on the leading facts of chemical science, as connected with
the art of dyeing—On the Calico-Printers' mordant for yellow and red,
and on compound colours—On bleaching—On the theory of fast and fugitive
colours—On dye-houses and water—Miscellaneous observations._
The trade of a Dyer is, in this country, subdivided into several distinct
branches. Thus we have _woollen dyers_, who are occupied solely in the
colours obtained from _cochineal_, such as _scarlet_, _crimson_,
_orange_, _buff_, _&c._; likewise _purple_, or _royal purple_, obtained
from _cochineal_ and _indigo_. They are called, also, _grain dyers_, from
the circumstance of the colouring material, cochineal, being in small
grains[2]. Yet it ought to be observed, that the term _dyed in grain_ is
applied by the public generally in a very different sense, namely, to
those cloths the raw material of which is dyed previously to being spun
into thread, or at least before woven into cloth; and hence such dyes are
usually more permanent than those which are dyed after the materials are
woven into cloth. This class of dyers generally dye cloth in the piece,
or a number of pieces of cloth tacked together, and worked over a winch
in a suitable copper.
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