The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
When the safflower is thoroughly washed, take it out of the bag and put
it into a deal tub or trough, and add to it _pearl-ash_ in the proportion
of six pounds to one hundred pounds of the safflower, which should be
weighed before it is wetted. Let the potash be well dissolved in water;
pour part of the clear solution off, and mix it thoroughly with the
safflower; after having stood for some time strain the liquor through a
cloth or sieve into another deal trough. The whole solution of pearl-ash
should not be put in at once, but at different times. If there should be
reason to believe that the safflower will yield more colouring matter by
a farther addition of the solution of pearl-ash, such additional solution
may be made. The water for the solution and the solution to the safflower
should both be applied cold. Carbonate or mild potash is better than the
caustic. By putting the solution of pearl-ash on the safflower at
different times it will be readily seen when the fluid passes through the
cloth or sieve free from colour.
The colour is of a cherry hue, and is resinous, therefore the water
dissolves but little of it; the carbonate of potash is added to dissolve
this resin.
To overcome the influence of the pearl-ash, which tinges the red of a
yellow colour, some cream of tartar must be finely powdered and dissolved
in boiling water, and added to the liquor when it is nearly cold. In the
South of France lemon juice is used.
The colour, being thus raised by the cream of tartar, is now to be mixed
with cold water in proportion to the fulness of the pattern desired, and
the cloth must be worked six or seven times in it, as in other colours.
What is left of the colour must be taken up with some skein cotton, and
dried; this may be added to water upon another occasion by saturating the
acid with a solution of pearl-ash, which will abstract the dye from the
cotton.
The solution of tartar will again redden the colour from the yellow of
the pearl-ash; this must be done if any remain, for it will not keep in a
fluid state.
We shall not here describe any other process with cotton till we have
treated of wool and silk.
For dyeing cotton _black_, and some other colours, see the chapters V.
and VI.
[7] The difference between _decoction_ and _infusion_ should be always
carefully observed: a _decoction_ is made by _boiling_ the ingredient or
ingredients in any liquor; an _infusion_ is that in which the ingredients
are put but _not boiled_.
CHAPTER III.
ON DYEING SILK.
_To alum silk—The blue vat of indigo for silk—Another blue vat for
silk—To dye silk violet, royal purple, &c.—To dye silk lilac—Another
process for lilac—Another process for dyeing muslin, &c. lilac—To dye
silk a violet or purple with logwood—To dye silk violet with Brazil wood
and logwood—To dye silk violet or purple with Brazil wood and archil._
_To alum silk._
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