The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
Take, upon as small a scale as can conveniently be tried, a copper
vessel, which will contain about twelve gallons, two thirds full of soft
water, and one ounce of madder. Fix this small copper in a larger copper
of water, so that the heat may be applied to keep the liquor in the
smaller copper at a proper temperature; it will be then, in fact, a
_water bath_.
Having kindled the fire in the afternoon, put in a good handful of bran
and five pounds of woad; at five o'clock in the evening let it be well
stirred and covered over, the liquor being about blood-warm; let the same
heat be continued as nearly as possible, at least so as not to be lower
than _summer heat_ by the thermometer, nor higher than _fever heat_ by
the same instrument. The vat must again be well stirred at seven, at
nine, at twelve at night, at two in the morning, and at four.
_Hellot_, describing this process, observes, that "the woad then working,
some air bubbles began to rise pretty large, but few in number, and of a
very faint colour; it had then two ounces of lime added, and was stirred;
this was four o'clock in the morning; at five a pattern was put in, and
at six it was taken out and the vat stirred. This pattern had received
some colour. At seven o'clock another pattern was put in, and at eight it
was stirred again. The second pattern was tolerably bright. An ounce of
_prepared indigo_, (see p. 75.) was then added; at nine o'clock another
pattern was put in; at ten it was stirred again, taking the pattern out,
and putting in an ounce of lime because it began to smell sweetish; at
eleven another pattern; at twelve at noon it was stirred again. This
process was continued till five o'clock in the evening; then were added
three ounces of prepared indigo; at six another pattern was tried, and at
seven it was stirred again; the last pattern came out of a very good
green, and became a bright blue. One ounce of lime was added to sustain
it till nine o'clock the next morning; patterns were put in from time to
time: the last was very beautiful. The vat was then filled up with water
and a small quantity of bran and stirred; after which patterns were tried
every hour till five o'clock in the evening, when, being in a proper
state, it was immediately worked. Some lime was then added to preserve
it; it was stirred and left to another opportunity to reheat."
_To prepare the indigo mentioned in the preceding directions._
Boil, in a gallon of water, for three quarters of an hour, two ounces of
pot-ash, three quarters of an ounce of madder, and one ounce of bran;
then let the whole settle for half an hour. After all is settled and
taken out of the boiler, and put into another copper with four ounces of
indigo finely powdered, the liquor should be kept stirred, and very hot,
but not be boiled. At intervals some lixivium of lime should be put into
it, and that being cold will keep the liquor from boiling, and render the
pot-ash more active.
Public-domain text, read in full here on John Shaqi.
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