The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing — John Shaqi
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
As soon as the indigo is dissolved and properly diluted, damp the fire
and cover over the solution; after it is settled put in a pattern, which,
when taken out, will turn blue on being exposed to the air; if it does
not, more clear lixivium must be added. Of this solution of indigo such
proportions are to be added to the woad vat as are directed in the
preceding process.
_Rules to judge of the state of the woad vat._
The vat is ready for working, and to dye blue, when the sediment at the
bottom, on being taken out of the vat changes to a fine brown-green. When
the froth which rises in great bubbles on the surface is of a fine
Prussian-blue, and when the pattern which has been steeped an hour, comes
out of a dark grass-green, and changes in the air to a blue; when the
liquor is clear and reddish, and the drops which stick to the rake are
brown; when the sediment changes colour on being taken out of the liquor,
and becomes brown on exposure to the open air: when the liquor is neither
harsh nor greasy to the feel, and neither smells of lime nor of ley, the
vat is known to be in a proper state for working.
_Indications when a vat has had too much or too little lime._
These extremes ought to be carefully avoided. When the lime is deficient,
or a pattern comes out of a dirty grey, and the sediment does not change
its colour, there is scarcely any effervescence on the vat; the liquor
smells only of lime, or of the lixivium of lime.
_To remedy the deficiency of lime._
If the vat be not too far gone, after the addition of a little bran,
madder, and some woad, then try the patterns from hour to hour; thus you
will be enabled to judge.
A _deficiency_ of lime is evident when there is no effervescence on the
liquor; and when, by dashing about the surface of the liquor, it makes a
hissing noise, and by the bursting of a number of small air bubbles,
which as soon as they are formed break, and appear tarnished, and are not
large, nor of a fine colour; the liquor too has an offensive smell, like
rotten eggs; it is harsh and dry to the feel, and the sediment, as has
been before observed, does not change colour when taken out of the liquor.
Sometimes such a condition of the vat is absolutely irremediable; but
when not gone too far, sprinkle some lime into the liquor, and stir it.
If you can thus remedy the defect, and bring the liquor to smell of lime,
and to feel soft, cover the vat, and let it stand. If, at the expiration
of an hour and a half, the effervescence begin, you may put in a pattern;
in an hour afterwards, it may be taken out, and regulate your process by
the degree of green which the pattern has imbibed; but, in general, when
vats are thus out of order, they are not so soon recovered.
_To work a vat which is in proper order._
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