It was almost night when, penetrating into its square enclosure, I saw
it filled to its walls with a vast landscape. Picture a mass of rocks,
a chaos, a confusion of overthrown blocks, heaped up together as if by
the force of the sea; a vision of madness, a country as ghastly as a
brain with its convolutions bared. The Chinese flay their landscapes.
Inexplicable as nature, this little corner seems also as vast and as
complex. Among these rocks rises a dark and twisted pine-tree. The
warped trunk, the color of its bristling tufts, the violent dislocation
of its limbs, the disproportion of this single tree with the artificial
country which it dominates,--like a dragon issuing from the earth in
smoke, combating the wind and the storms,--make this place unreal,
render it grotesque and fantastic. Here and there funereal foliage,
yews and arbor-vitæ, in their vigorous blackness, intensify this
cataclysm. In my amazement I ponder this melancholy document. And
in the middle of the enclosure one great rock stands in the dusk of
twilight like a monster,--a theme of reverie and enigma.
FOOTNOTES:
[A] White is the color of Chinese mourning.
THE FEAST OF THE DEAD IN THE SEVENTH MONTH
Ingots of paper are the money of the dead. From thin cards are cut the
figures of persons, houses, and animals. The dead man must be followed
by these fragile imitations, these patterns of living things; and, if
burned, they will accompany him where he goes. The flute guides such
souls, the beat of a gong assembles them like bees. In the shadowy
darkness, the brilliance of a flame soothes and satisfies them.
Along the bank of the river the prepared barges wait for the night to
come. Scarlet tinsel is fastened to the end of a pole; and, whether
the river at this turning seems to derive the color of its waters
from a leaden sky, or whether it moves its swarming life mysteriously
under accumulated clouds,--still the torches flare at the prow, the
festoons of lanterns toss from the mast, brightening the gloom with a
vivid note,--as a candle held in the hand in a spacious room lightens
the solemn emptiness of the night. Meanwhile the signal is given, the
flutes shrill out, the gong sounds, firecrackers explode, the three
boatmen lean to the long scull. The barge starts and tacks, leaving
in the wide sweep of its rudder a trail of fire. Some one is strewing
little lamps. Uncertain glimmers on the vast flow of the opaque waters,
these flicker a moment and perish. An arm seizes the tinsel streamer,
the ball of fire which sinks and flares in the smoke, and touches them
to the tomb of the waters; the illusory brightness of the light, like
the gleaming of fish, fascinates the cold drowned. Other illuminated
barges go and come. Far off are heard detonations, and on the war-ships
two bugles, answering one another, sound together the extinguishing of
the fires.
Public-domain text, read in full here on John Shaqi.
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