The loitering stranger who, from the shore, contemplates the vast night
open before him like a chart, will hear the return of the religious
barge. The torches are extinguished, the shrill hautboy has died away,
but, over a precipitate beating of drumsticks, dominated by a continual
rolling of drums, the funereal gong continues its tumult and its dance.
Who is it that beats? The sound rises and falls, ends, recommences, and
presently swells to a clamor as if impatient hands beat on the metal
hung between two worlds. Then solemnly, beneath the measured strokes,
the gong returns a deep reverberation. The boat approaches. It passes
the river-bank and the fleet of moored craft; and now, in the heavy
darkness of the opium barges, it is at my feet. I can see nothing; but
the funeral orchestra, which had died away for a long interval, now,
after the fashion of dogs that howl, explodes again in the darkness.
This is the feast of the seventh month when the earth enters into its
repose. Along the road the rickshaw-runners have stuck in the earth
between their feet sticks of incense and little red candle-ends. I must
return. Tomorrow I shall come to sit in the same place. It is all over;
and still, like the sightless dead sunk beneath an infinity of waves,
I hear the tone of the sepulchral sistrum, the clamor of iron drums
beaten with terrible blows in the close darkness.
THOUGHTS ON THE SEA
The boat makes her way between the islands; the sea is so calm that it
scarcely seems to exist. Eleven o’clock in the morning, and it is hard
to tell whether or not it is raining.
The thoughts of the voyager turn to the past year. He sees again his
trip across the ocean in the stormy night; the ports, the stations,
the arrival on Shrove Sunday, the trip to the house when, with a
cold eye, he scanned the sordid festivities of the crowd through the
mud-spattered windows of his carriage. His thoughts show him again his
parents, his friends, old scenes,--and then the new departure. Unhappy
retrospect! As if it were possible for anyone to retrieve his past.
It is this that makes the return sadder than the departure. The voyager
re-enters his home as a guest. He is a stranger to all, and all is
strange to him. (Servant, hang up the traveling cloak and do not carry
it away! Soon it will be necessary to depart once more.) Seated at the
family table he is a suspected guest, ill at ease. No, parents, it is
never the same! This is a passer-by whom you have received, his ears
filled with the fracas of trains and the clamor of the sea, like a man
who imagines that he still feels beneath his feet the profound movement
that lures him away. He is not the same man whom you conducted to the
fateful wharf. The separation has taken place and he has entered upon
the exile that follows it!
CITIES
Public-domain text, read in full here on John Shaqi.
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